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Cross-Cultural Reflections on Chinese Aesthetics, Gender, Embodiment and Learning

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  • © 2020

Overview

  • Gathers research and writings that reflect on traditional and current global issues related to art and aesthetics, gender perspectives, body theories, cultural traditions, knowledge and learning
  • Illustrates core dimensions that are bringing together philosophy and cultural traditions and laying the groundwork for comparative research and dialogues among aesthetics, Chinese philosophies, Western feminist studies and cross-cultural thought around these subjects
  • The interdisciplinary approach pursued also integrates philosophical enquiries with cultural anthropology and contextual studies

Part of the book series: Chinese Contemporary Art Series (CCAS)

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Table of contents (14 chapters)

Keywords

About this book

​This book gathers research and writings that reflect on traditional and current global issues related to art and aesthetics, gender perspectives, body theories, knowledge and learning. It illustrates these core dimensions, which are bringing together philosophy, tradition and cultural studies and laying the groundwork for comparative research and dialogues between aesthetics, Chinese philosophies, Western feminist studies and cross-cultural thought. Pursuing an interdisciplinary approach, the book also integrates philosophical enquiries with cultural anthropology and contextual studies. As implied in the title, the main methodologies are cross-cultural and comparative studies, which touch on performances in art and aesthetics, social existence and education, and show that philosophical enquiries, aesthetical representation and gender politics are simultaneously historical, living and contextual.
 
The book gathers a wealth of cross-cultural reflections onphilosophical aesthetics, gender existence and cultural traditions. The critical thinking within will benefit undergraduates, postgraduates and researchers in the area of comparative philosophies. It blends academic rigor with personal reflection, which is a critical practice in feminist philosophy itself.

Authors and Affiliations

  • Academy of Film Office, Hong Kong Baptist University, Hong Kong, China

    Eva Kit Wah Man

About the author

Prof. Eva Man is currently the Director of Film Academy and Chair Professor in Humanities of Hong Kong Baptist University. She publishes widely in comparative aesthetics, comparative philosophy, woman studies, feminist philosophy, cultural studies, art and cultural criticism. She was a Fulbright scholar conducted research at the University of California, Berkeley in 2004. She was named AMUW Endowed Woman Chair Professor of the 100th Anniversary of Marquette University in Milwaukee, Wisconsin, USA in 2009. She contributes public services to the Hong Kong Arts Development Council, Hong Kong Museums Advisory Committee and Hong Kong Public Libraries and other committees for LCSD and Home Affairs Bureau of HKSAR, and Hong Kong Jockey Club’s Arts and Cultural Heritage projects.

Bibliographic Information

  • Book Title: Cross-Cultural Reflections on Chinese Aesthetics, Gender, Embodiment and Learning

  • Authors: Eva Kit Wah Man

  • Series Title: Chinese Contemporary Art Series

  • DOI: https://doi.org/10.1007/978-981-15-0210-1

  • Publisher: Springer Singapore

  • eBook Packages: Religion and Philosophy, Philosophy and Religion (R0)

  • Copyright Information: Springer Nature Singapore Pte Ltd. 2020

  • Hardcover ISBN: 978-981-15-0209-5Published: 30 January 2020

  • Softcover ISBN: 978-981-15-0212-5Published: 26 August 2021

  • eBook ISBN: 978-981-15-0210-1Published: 29 January 2020

  • Series ISSN: 2199-9058

  • Series E-ISSN: 2199-9066

  • Edition Number: 1

  • Number of Pages: XIX, 178

  • Number of Illustrations: 1 b/w illustrations, 4 illustrations in colour

  • Topics: Aesthetics, Non-Western Philosophy, Feminism, Gender Studies, Cultural Studies

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