Authors:
- Combines thorough theoretical analysis with detailed historical knowledge
- Enriched by extended first-hand research
- Makes a body of connected critical writings accessible to a specialist and general readership ?
- Includes supplementary material: sn.pub/extras
Part of the book series: Chinese Contemporary Art Series (CCAS)
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Table of contents (24 chapters)
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Front Matter
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Essays
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Front Matter
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About this book
Authors and Affiliations
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The University of Nottingham, Nottingham, United Kingdom
Paul Gladston
About the author
Paul Gladston is a full professor at Nottingham - Chair of Contemporary Visual Cultures and Critical Theory. Between 2005 and 2010 he served as inaugural head of the Department of International Communications and director of the Institute for Comparative Cultural Studies at the University of Nottingham Ningbo, China. He has written extensively on the subject of contemporary Chinese art with particular reference to the concerns of critical theory. His recent book-length publications include Contemporary Art in Shanghai: Conversations with Seven Chinese Artists (Timezone 8 – Blue Kingfisher, 2011); a special edition of the Journal of Visual Art Practice, ‘Contemporary Chinese Art and Criticality’, co-edited with Katie Hill (2012); ‘Avant-Garde’ Art Groups in China, 1979–89 (Intellect and University of Chicago Press, 2013); and Contemporary Chinese Art: A Critical History (Reaktion and University of Chicago Press, 2014). He is principal editor of the Journal of Contemporary Chinese Art and was an academic adviser to the exhibition ‘Art of Change: New Directions from China’, which was staged at the South Bank Centre in London in 2012.
Bibliographic Information
Book Title: Deconstructing Contemporary Chinese Art
Book Subtitle: Selected Critical Writings and Conversations, 2007-2014
Authors: Paul Gladston
Series Title: Chinese Contemporary Art Series
DOI: https://doi.org/10.1007/978-3-662-46488-5
Publisher: Springer Berlin, Heidelberg
eBook Packages: Literature, Cultural and Media Studies, Literature, Cultural and Media Studies (R0)
Copyright Information: The Editor(s) (if applicable) and The Author(s), under exclusive license to Springer-Verlag GmbH, DE, part of Springer Nature 2016
Hardcover ISBN: 978-3-662-46487-8Published: 14 October 2015
Softcover ISBN: 978-3-662-51636-2Published: 23 August 2016
eBook ISBN: 978-3-662-46488-5Published: 21 August 2015
Series ISSN: 2199-9058
Series E-ISSN: 2199-9066
Edition Number: 1
Number of Pages: XX, 195
Topics: Fine Arts, Cultural Studies