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Palgrave Macmillan

Modern Marriage and the Lyric Sequence

  • Book
  • © 2018

Overview

  • Provides a careful examination of the lyric sequence

  • Illuminates poetry’s impact on individual relationships and the institution of marriage

  • Considers political, cultural, and historical influences

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Table of contents (9 chapters)

Keywords

About this book

Modern Marriage and the Lyric Sequence investigates the ways in which some of our best poets writing in English have used poetic sequences to capture the lived experience of marriage. Beginning in 1862 with George Meredith’s Modern Love, Jane Hedley’s study utilizes the rubrics of temporality, dialogue, and triangulation to bring a deeply rooted and vitally interesting poetic genre into focus.  Its twentieth- and twenty-first-century practitioners have included Edna St. Vincent Millay, Robert Lowell, Rita Dove, Eavan Boland, Louise Glück, Anne Carson, Ted Hughes, Claudia Emerson, Rachel Zucker, and Sharon Olds.  In their poetic sequences the flourishing or failure of a particular marriage is always at stake, but as that relationship plays out over time, each sequence also speaks to larger questions: why we marry, what a marriage is, what our collective stake is in other people’s marriages.  In the book’s final chapter gay marriage presents a fresh testing ground for these questions, in light of the US Supreme Court’s affirmation of same-sex marriage.   


   


Reviews

“Hedley’s emphasis is as much on the way modern poets have represented the pleasures and satisfactions of marriage as on their attention to its discords and torments.  Engagingly written and full of superb readings, Modern Marriage and the Lyric Sequence should find an appreciative audience among scholars, teachers, and students of modern and contemporary poetry.” (Roger Gilbert, Professor of English, Cornell University, USA)

Authors and Affiliations

  • Bryn Mawr College, Bryn Mawr,PA, USA

    Jane Hedley

About the author

Jane Hedley is Stapleton Emeritus Professor of English at Bryn Mawr College, USA. She has published extensively on both Renaissance and contemporary lyric poetry, with a particular emphasis on gender politics, poetic figuration, and the social implications of poetic performance.

 

Bibliographic Information

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