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British Women’s Short Supernatural Fiction, 1860–1930

Our Own Ghostliness

Palgrave Macmillan

Authors:

  • Makes an original contribution to ghost story scholarship by arguing for an intersectional approach to women’s supernatural short fiction of the late-Victorian period and early twentieth century
  • Argues for caution in relation to a scholarly tendency to read women’s ghost fiction for subversive meanings, emphasising the equivocal or even conservative messages that such texts also often endorse
  • Expands the canon of ghost story writers and women writers
  • Draws upon a range of theoretical perspectives including New Economic Criticism, postcolonial theory and psychoanalytic theory
  • Reads the short supernatural story in relation to contexts including the women’s movement, the Marriage Question, economic crises, Britain’s changing class structure, colonialism and ideas about ‘race’, aesthetic movements, and the First World War
  • Contributes to the current resurgence of scholarship on short fiction and short fiction theory, and to the ever-expanding fields of study of Gothic and Victorian supernaturalism
  • Contributes to recent scholarship that seeks to identify previously obscured connections between Victorian literary culture and twentieth century modernism

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Table of contents (6 chapters)

About this book

This book explores women’s short supernatural fiction between the emergence of first wave feminism and the post-suffrage period, arguing that while literary ghosts enabled an interrogation of women’s changing circumstances, ghosts could have both subversive and conservative implications. Haunted house narratives by Charlotte Riddell and Margaret Oliphant become troubled by uncanny reminders of the origins of middle-class wealth in domestic and foreign exploitation. Corpse-like revenants are deployed in Female Gothic tales by Mary Elizabeth Braddon and Edith Nesbit to interrogate masculine aestheticisation of female death. In the culturally-hybrid supernaturalism of Alice Perrin, the ‘Marriage Question’ migrates to colonial India, and psychoanalytically-informed stories by May Sinclair, Eleanor Scott and Violet Hunt explore just how far gender relations have really progressed in the post-First World War period. Study of the woman’s short story productively problematises literary histories about the “golden age” of the ghost story, and about the transition from Victorianism to modernism.

Reviews

“Readers are likely to be excited by the many fascinating stories that this book has brought back to life.” (Clare A. Simmons, Victorian Studies, Vol. 63 (4), 2021)



“This challenging and polemical study will be essential reading for students and scholars of the Victorian ghost story, modernism and women’s writing.” (Emma Liggins, Women's Writing, October 4, 2021)

Authors and Affiliations

  • University of Brighton, Brighton, UK

    Victoria Margree

About the author

Victoria Margree is Principal Lecturer in the Humanities, and Academic Programme Leader for the Humanities Programme at the University of Brighton, UK. 

Bibliographic Information

Buy it now

Buying options

eBook USD 69.99
Price excludes VAT (USA)
  • Available as EPUB and PDF
  • Read on any device
  • Instant download
  • Own it forever
Softcover Book USD 89.99
Price excludes VAT (USA)
  • Compact, lightweight edition
  • Dispatched in 3 to 5 business days
  • Free shipping worldwide - see info
Hardcover Book USD 89.99
Price excludes VAT (USA)
  • Durable hardcover edition
  • Dispatched in 3 to 5 business days
  • Free shipping worldwide - see info

Tax calculation will be finalised at checkout

Other ways to access