Overview
- Demonstrates how special correspondence helped create our modern news culture
- Examines the emergence and development of the special correspondent in Victorian print culture
- Analyses the stories of individual correspondents and their relationship to the broader media landscape
Part of the book series: Palgrave Studies in the History of the Media (PSHM)
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Table of contents (8 chapters)
Keywords
About this book
This book analyses the significance of the special correspondent as a new journalistic role in Victorian print culture, within the context of developments in the periodical press, throughout the second half of the nineteenth century. Examining the graphic reportage produced by the first generation of these pioneering journalists, through a series of thematic case studies, it considers individual correspondents and their stories, and the ways in which they contributed to, and were shaped by, the broader media landscape. While commonly associated with the reportage of war, special correspondents were in fact tasked with routinely chronicling all manner of topical events at home and abroad. What distinguished the work of these journalists was their effort to ‘picture’ the news, to transport readers imaginatively to the events described. While criticised by some for its sensationalism, special correspondence brought the world closer, shrinking space and time, and helping to create our modern news culture.
Reviews
“The phenomenon of palpitating journalism is central to Waters’s Special Correspondence and the Newspaper Press in Victorian Print Culture, 1850–1886. … offers a well-informed, accessible contribution to journalism history.” (Kate Campbell, Victorian Studies, Vol. 62 (4), 2020)
"Waters’s study is an achievement, not only for its scholarly contribution but also for how she uses rich textual analysis to immerse the reader in the mid-nineteenth century’s most newsworthy events. With compelling examples and deft writing in her own right, Waters makes visible how special correspondence was a communication technology thatdrove news journalism’s popularity into the late-nineteenth century and beyond.” (Stephan Pigeon, Victorian Periodicals Review, Vol. 53 (2), 2020)“In the true spirit of special correspondence, this scholarly and enjoyable book successfully merges journalistic, literary and political history in what is undoubtedly a major contribution to the field of Victorian print culture.” (Françoise Baillet, Romance, Revolution & Reform, Vol. 2, January, 2020)
“This is an exemplary study of a thoroughly specialized subject. Its achievement is to combine prodigious authority in its field with continual reaching out to broader fields and to a broader, nonspecialist readership. … I believe that this splendid book could make even greater impact.” (Michael Hollington, Dickens Quarterly, Vol. 36 (3), September, 2019)
Authors and Affiliations
About the author
Catherine Waters is Professor of Victorian Literature and Print Culture at the University of Kent, UK. She is the author of Dickens and the Politics of the Family (1997) and Commodity Culture in Dickens’s Household Words: The Social Life of Goods (2008).
Bibliographic Information
Book Title: Special Correspondence and the Newspaper Press in Victorian Print Culture, 1850–1886
Authors: Catherine Waters
Series Title: Palgrave Studies in the History of the Media
DOI: https://doi.org/10.1007/978-3-030-03861-8
Publisher: Palgrave Macmillan Cham
eBook Packages: History, History (R0)
Copyright Information: The Editor(s) (if applicable) and The Author(s) 2019
Hardcover ISBN: 978-3-030-03860-1Published: 25 February 2019
eBook ISBN: 978-3-030-03861-8Published: 06 February 2019
Series ISSN: 2634-6575
Series E-ISSN: 2634-6583
Edition Number: 1
Number of Pages: XI, 236
Number of Illustrations: 6 b/w illustrations
Topics: History of Britain and Ireland, Cultural History, History of Modern Europe, Social History, Journalism