Masculine Jealousy and Contemporary Cinema

1. Front Matter

   Pages i-xi

   PDF

2. Setting the Scene: Masculinity, Jealousy and Contemporary Culture

   1. Setting the Scene: Masculinity, Jealousy and Contemporary Culture

      • Candida Yates

      Pages 1-16

3. The Psycho-Cultural Shaping of Masculine Jealousy

   1. Front Matter

      Pages 17-17

      PDF

   2. Psychoanalytic Understandings of Masculinity and Jealousy

      • Candida Yates

      Pages 19-41

   3. Theories of Masculinity, Cinema, Spectatorship and the Jealous Gaze

      • Candida Yates

      Pages 42-57

   4. Analysing Jealousy Texts from a Psycho-Cultural Perspective

      • Candida Yates

      Pages 58-71

4. Masculine Jealousy in the Movies

   1. Front Matter

      Pages 73-73

      PDF

   2. Taxi Driver: The Psychopathic Hero and the Rescue Romance: How Jealousy Drives the Narrative Along (M. Scorsese, USA, 1976)

      • Candida Yates

      Pages 75-91

   3. Michael Douglas: Envy, Greed and Jealous Desire in A Perfect Murder (A. Davis, USA, 1998)

      • Candida Yates

      Pages 92-107

   4. Englishness, Nation and Masculine Jealousy in The End Of The Affair (N. Jordan, USA/UK, 1999)

      • Candida Yates

      Pages 108-123

   5. The Piano: A Feminine Narrative of Masculine Jealousies (J. Campion, Australia/New Zealand, 1993)

      • Candida Yates

      Pages 124-140

   6. Unfaithful: A Tale of Female Infidelity and the Jealousy of a Good Husband (A. Lyne, USA/France, 2002)

      • Candida Yates

      Pages 141-163

   7. Conclusion: Towards an Understanding of Masculinity, Jealousy and Cinema

      • Candida Yates

      Pages 164-178

5. Back Matter

   Pages 179-225

   PDF

This study provides new insights into the link between masculinity and jealousy through a study of representations of male jealousy in modern Hollywood cinema. It argues, through examples of films and their reception in the press, that male jealousy has played a key role in the psychocultural shaping of Western masculinities and male fantasy.

       

• cinema
• culture
• film
• Hollywood
• USA

This is an exciting and innovative study which adds a new dimension to psychoanalytic approaches to film and to masculinity, and which sheds new light on films such as Taxi Driver , The Piano and The End of The Affair . - Steve Neale, University of Exeter

Candida Yates is Professor of Culture and Communication at Bournemouth University. She is an interdisciplinary scholar in Psychosocial Studies and its application to politics, emotion, culture and society and has published widely in that field. She works with psychoanalytic practitioners, scholars and cultural organisations to create new understandings of emotion in the public sphere. Her publications include: The Play of Political Culture, Emotion and Identity (Palgrave, 2015); Media and the Inner World: Psycho-Cultural Approaches to Emotion, Media and Popular Culture (Co-ed., Palgrave, 2014); Television and Psychoanalysis (Co-ed., Routledge, 2013); Emotion: New Psychosocial Perspectives (Co-ed., Palgrave 2009); Culture and The Unconscious (2007). She is Co-Editor of the Routledge books series: Psychoanalysis and Popular Culture and a Contributing Editor on the journals Psychoanalysis, Culture and Society, Journal of Psychosocial Studies and New Associations.

    

Policies and ethics