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Conservation of Modern Oil Paintings

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  • © 2019

Overview

  • Covers the characterization of modern-contemporary oil paints and paint surfaces
  • Investigates softening and dripping paints in contemporary oil paintings
  • Focuses on how knowledge is transferred from conservators to researchers and vice versa

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Table of contents (46 chapters)

  1. Paint Technology

  2. Case Studies: Artists Techniques and Materials; Degradation; Ethical Considerations; Treatment Options

Keywords

About this book

Artists’ oil paints have become increasingly complex and diverse in the 20th Century, applied by artists in a variety of ways. This has led to a number of issues that pose increasing difficulties to conservators and collection keepers. A deeper knowledge of the artists’ intent as well as processes associated with material changes in paintings is important to conservation, which is almost always a compromise between material preservation and aesthetics.

This volume represents 46 peer-reviewed papers presented at the Conference of Modern Oil Paints held in Amsterdam in 2018. The book contains a compilation of articles on oil paints and paintings in the 20th Century, partly presenting the outcome of the European JPI project ‘Cleaning of Modern Oil Paints’. It is also a follow-up on ‘Issues in Contemporary Oil Paint’ (Springer, 2014).

The chapters cover a range of themes and topics such as: patents and paint manufacturing in the 20th Century; characterization of modern-contemporary oil paints and paint surfaces; artists’ materials and techniques; the artists’ voice and influence on perception of curators, conservators and scientists; model studies on paint degradation and long term stability; approaches to conservation of oil paintings; practical surface treatment and display.

The book will help conservators and curators recognise problems and interpret visual changes on paintings, which in turn give a more solid basis for decisions on the treatment of these paintings. 

Editors and Affiliations

  • Cultural Heritage Laboratory, Cultural Heritage Agency of the Netherlands, Amsterdam, The Netherlands

    Klaas Jan van den Berg

  • Department of Chemistry and Industrial Chemistry, University of Pisa, Pisa, Italy

    Ilaria Bonaduce

  • Department of Conservation & Technology, Courtauld Institute of Art, London, UK

    Aviva Burnstock

  • Conservation Science & Preventive Conservation, Tate Britain, London, UK

    Bronwyn Ormsby

  • School of Conservation, KADK School of Conservation, Copenhagen, Denmark

    Mikkel Scharff

  • Faculty of Sciences and Technology, Universidade Nova de Lisboa (FCT/UNL), Caparica, Portugal

    Leslie Carlyle

  • TH Köln, Cologne Institute of Conservation Sciences, Köln, Germany

    Gunnar Heydenreich

  • Conservation & Science Department, Rijksmuseum, Amsterdam, The Netherlands

    Katrien Keune

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