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Chinese Culture in the 21st Century and its Global Dimensions

Comparative and Interdisciplinary Perspectives

  • Book
  • © 2020

Overview

  • Addresses how Chinese culture has been received worldwide and in what ways it has had an impact in the 21st Century
  • Brings global perspectives to the current research on contemporary Chinese culture, providing insights into the latest developments of Chinese cultural studies in different parts of the world
  • Takes an interdisciplinary approach that includes film, literature, philosophy, theatre and performance, and translation and language studies

Part of the book series: Chinese Culture (CHINESE, volume 2)

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Table of contents (12 chapters)

  1. Translation Studies of Hong Kong and Chinese Culture in the Globalized Era

  2. Language and Learning: Changing Ideology in the Digital Age

Keywords

About this book

This book investigates the internationalization of Chinese culture in recent decades and the global dimensions of Chinese culture from comparative and interdisciplinary perspectives. It covers a variety of topics concerning the contemporary significance of Chinese culture in its philosophical, literary and artistic manifestations, including literature, film, performing arts, creative media, linguistics, translations and philosophical ideas. The book explores the reception of Chinese culture in different geographic locations and how the global reception of Chinese culture contrasts with the local Chinese community. The chapters collectively cover gender studies and patriarchal domination in Chinese literature in comparison to the world literature, explorations on translation of Chinese culture in the West, Chinese studies as an academic discipline in the West, and Chinese and Hong Kong films and performances in the global context. The book is an excellent resource for both scholars andstudents interested in the development of Chinese culture on the global stage in the 21st Century.

Editors and Affiliations

  • School of Arts and Social Sciences, The Open University of Hong Kong, Kowloon, Hong Kong

    Kelly Kar Yue Chan, Chi Sum Garfield Lau

About the editors

Kelly Kar Yue Chan completed her undergraduate degree and her master’s degree both in the discipline of Translation and Interpretation at the City University of Hong Kong. She then finished her PhD in Classical Chinese Literature at the University of Edinburgh, United Kingdom. She is currently an Associate Professor in language and translation at the Open University of Hong Kong, teaching undergraduate and postgraduate courses on culture and translation, and literary translation. Her research interests include literary translation, women’s studies in classical Chinese society, classical Chinese literature (poetry), and translation of Cantonese opera.



Chi Sum Garfield Lau obtained her Ph.D. in English Language and Literature from Hong Kong Baptist University. She is currently working as Assistant Professor in The Open University of Hong Kong. She is responsible for courses in English Language and Literature at both undergraduate and postgraduate levels. Herareas of interest include Modernism, Psychoanalytic Criticism and Comparative Studies.

Bibliographic Information

  • Book Title: Chinese Culture in the 21st Century and its Global Dimensions

  • Book Subtitle: Comparative and Interdisciplinary Perspectives

  • Editors: Kelly Kar Yue Chan, Chi Sum Garfield Lau

  • Series Title: Chinese Culture

  • DOI: https://doi.org/10.1007/978-981-15-2743-2

  • Publisher: Springer Singapore

  • eBook Packages: Literature, Cultural and Media Studies, Literature, Cultural and Media Studies (R0)

  • Copyright Information: The Editor(s) (if applicable) and The Author(s), under exclusive license to Springer Nature Singapore Pte Ltd. 2020

  • Hardcover ISBN: 978-981-15-2742-5Published: 12 May 2020

  • Softcover ISBN: 978-981-15-2745-6Published: 12 May 2021

  • eBook ISBN: 978-981-15-2743-2Published: 11 May 2020

  • Series ISSN: 2662-9755

  • Series E-ISSN: 2662-9763

  • Edition Number: 1

  • Number of Pages: XXIII, 216

  • Number of Illustrations: 40 b/w illustrations

  • Topics: Asian Literature, Asian Culture, Non-Western Philosophy, Chinese, Film Theory

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