Drunk on Capitalism. An Interdisciplinary Reflection on Market Economy, Art and Science

1. Front Matter

   Pages i-xxiii

   PDF

2. Single Step Guide to Success – Day Planning

   • Heath Bunting

   Pages 1-9

3. Science for Sale

   1. Front Matter

      Pages 11-11

      PDF

4. Science for sale

   1. The Inseparability of Science and Values

      • John Dupré

      Pages 13-24

   2. The Humanities Under Fire?

      • Hendrik (Rik) Pinxten

      Pages 25-34

   3. What Is There Beyond Mertonian and Dollar Green Science? Exploring the Contours of Epistemic Democracy

      • Jeroen Van Bouwel

      Pages 35-48

   4. Enclosing the Academic Commons – Increasing Knowledge Transfer or Eroding Academic Values?

      • Sigrid Sterckx

      Pages 49-63

   5. (E)valuating Words: Money and Gain in the Therapeutic Economy

      • Dany Nobus

      Pages 65-78

   6. Copyright: A Curse or a Blessing?

      • Evi Werkers

      Pages 79-89

5. Buy Buy Art

   1. Front Matter

      Pages 91-91

      PDF

   2. The Fethish Character of the Work of Art and Its Secret

      • Frank Vande Veire

      Pages 93-100

   3. Salvador Dalí’s Dream of Venus at the 1939 New York World’s Fair: Capitalist Funhouse or Surrealist Landmark?

      • Christel Stalpaert

      Pages 101-115

   4. How to Sell a Boring Action Hero: An Analysis of the Success of The Bourne Ultimatum Within the Context of Corporate Hollywood

      • Isolde Vanhee

      Pages 117-129

   5. Saturn and His Children. The Crying of Potential Estate: A Case Study of the Art Market as Metaphor and Practice

      • Katerina Gregos

      Pages 131-142

   6. The Work of Art in the Age of Meta-Capital

      • Christophe Bruno

      Pages 143-157

   7. How to Handcraft an Achingly Self-Referential Virtual Commodity Fetish Object (For Fun and Profit!)

      • Julian Dibbell

      Pages 159-177

6. Back Matter

   Pages 179-180

   PDF

The book presents an interdisciplinary collection of analyses that discuss the impact of market economy on our culture in the post-Berlin Wall era. It contains two parts. The first focuses on the commercialisation of science and education. The second elaborates on the multiple and diverse relation between art and capital.

• art and capitalist society
• commercialization of symbolic power
• commodification of knowledge
• market economy
• patented knowledge
• science for sale
• science in post-Berlin era

• Dept. Art, Music & Theatre Sciences, Ghent University, Gent, Belgium

  Robrecht Vanderbeeken, Frederik Le Roy, Christel Stalpaert

• Bruxelles, Belgium

  Diederik Aerts

Robrecht Vanderbeeken received his Ph-D in philosophy at Ghent University in 2003 on a subject in philosophy of science (i.e. the explanation of human action). Afterwards he was a researcher at the theory department of the Jan van Eyck Academie in Maastricht. During this two-year-project he worked on the philosophy of G. Deleuze and S. Zizek. From 2005 till 2007 he was a postdoctoral fellow at the philosophy department of Ghent University working on topics in analytic metaphysics and technoscience critique. His current areas of research are the philosophical implications of media art, the interpretation of video art.

Christel Stalpaert is professor at the Department of Performance Studies and Film at the University of Ghent (Belgium). Her main field of study is performing arts at the crossroads of Gilles Deleuze’s aesthetics of intensities and Luce Irigaray’s corporeal philosophy.

Frederik Le Roy is a PhD student affiliated with the Department of Performance Studies and Film at Ghent University. He holds degrees from the Catholic University of Leuven (licentiate in Philosophy, 2003) and Ghent University (candidate in Philosophy, 2001; licentiate in Theatre Studies, 2005). During the spring semester of 2006 he was a visiting research student at the Department of Theatre, Dance and Performance Studies of UC Berkeley. His research, which is funded by the Flemish Research Foundation (PhD fellowship – FWO-Vlaanderen), explores ways in which traditional concepts and methods of history are put into question by aesthetic and performative means in contemporary performing arts.

Diederik Aerts is professor at the 'Brussels Free University' and director of the 'Leo Apostel Centre (CLEA)', an interdisciplinary and interuniversity (VUB, UGent, KULeuven) research centre, where researchers of different disciplines work on interdisciplinary projects. He is also head of the research group 'Foundations of the ExactSciences (FUND)' at the VUB. He is secretary of the 'International Quantum Structures Association (IQSA)' and editor of the international journal 'Foundations of Science (FOS)'. He is a board member of the 'Worldviews group', founded by the philosopher Leo Apostel, which investigates the possibility of constructing integrated worldviews, taking into account the recent scientific findings. He was the scientific and artistic coordinator of the 'Einstein meets Magritte' conference, where the world's leading scientists and artists gathered to reflect about science, nature, human action and society.

Policies and ethics