- Entertaining for lawyers and opera fans alike
- Offers a comprehensive perspective on the topic
- Includes approaches from jurists, philosophers, musicologists and historians
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- About this book
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This book explores the various connections between Law and Opera, providing a comprehensive, multinational, and multidisciplinary (with approaches from jurists, philosophers, musicologist, historians) resource on the subject. Further, it makes a valuable contribution to studies on law and the humanities. While, for example, the relationship between law and literature has been extensively researched, the relationship between Law and Opera remains largely overlooked. The book approaches the topic from three perspectives in three main sections: Law in Opera, Law on Opera, and Law around Opera.
- About the authors
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Filippo Annunziata, Bocconi Universtiy, Angelo Sraffa Department of Legal Studies, Milan, Italy
Giorgio Fabio Colombo, Nagoya University, Graduate School of Law, Nagoya, Japan
- Table of contents (26 chapters)
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Law in the Opera, Law on the Opera, Law Around the Opera: A Multidisciplinary Approach
Pages 1-9
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Scalia/Ginsburg: The Rhythm of the US Federal Supreme Court
Pages 13-31
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Exile and Identity: Findings of Fact and Opinions of Law, in Bellini’s La Straniera
Pages 33-47
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Fiat iustitia et pereat mundus. The Tragic Conflicts of the Judge in I Due Foscari
Pages 49-64
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“That May Be Japanese Law … but Not in My Country!” Marriage, Divorce, and Private International Law in Giacomo Puccini’s Madama Butterfly
Pages 65-77
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Table of contents (26 chapters)
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Bibliographic Information
- Bibliographic Information
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- Book Title
- Law and Opera
- Editors
-
- Filippo Annunziata
- Giorgio Fabio Colombo
- Copyright
- 2018
- Publisher
- Springer International Publishing
- Copyright Holder
- Springer International Publishing AG
- eBook ISBN
- 978-3-319-68649-3
- DOI
- 10.1007/978-3-319-68649-3
- Hardcover ISBN
- 978-3-319-68648-6
- Softcover ISBN
- 978-3-030-09845-2
- Edition Number
- 1
- Number of Pages
- XIV, 401
- Topics
