Overview
- Brings together an international team of East-West top scholars in phenomenological aesthetics
- Covers the great varieties of artistic experience from first hand phenomenological descriptions
- Offers a global perspective on the topic
Part of the book series: Contributions to Phenomenology (CTPH, volume 109)
Access this book
Tax calculation will be finalised at checkout
Other ways to access
Table of contents (14 chapters)
-
Front Matter
-
Phenomenological Approach to Art and Aesthetics
-
Front Matter
-
-
Varieties of Artistic Experience
-
Front Matter
-
-
Back Matter
Keywords
- Aesthetic attitude
- Phenomenology of architecture
- Phenomenology of drama
- Phenomenology of painting
- Phenomenology of photography
- Phenomenology of poetry
- Phenomenology of the arts
- Phenomenology of the imaginary
- Phenomenology of urban aesthetics
- Zhu Guangqian
- Husserlian Account of the Power of the Imaginary
- Heidegger’s ‘Origin of the Work of Art’
- Aisthesis and Logos
- Qianlong Di
- Kandinsky and the Multi-Dimensionality of Colors
- Merleau-Ponty’s Eye and Mind
- Rhythm and Metaphor in Dramatic Language
- Digital Technology and Phenomenology
- Aristotle’s Phenomenology of Perception
- Optic and the Haptic in Merleau-Ponty’s Thought
About this book
This volume examines the great varieties of artistic experience from first hand phenomenological descriptions. It features detailed and concrete analyses which provides readers with in-depth insights into each specific domain of artistic experience. Coverage includes phenomenological elucidation of the aesthetic attitude, the power of imagination, and the logic of sensibility. The essays also detail concrete phenomenological analyses of aesthetic experiences in poetry, painting, photography, drama, architecture, and urban aesthetics.
The book contains essays from "Logos and Aisthesis: Phenomenology and the Arts," an international conference held at the Chinese University of Hong Kong. It brings together a team of top scholars from both the East and the West and offers readers a global perspective on this interesting topic. These innovative, yet accessible, essays, will benefit students and researchers in philosophy, aesthetics, the arts, and the humanities. They will also beof interest to specialists in phenomenology.
Reviews
Editors and Affiliations
About the editors
Thomas Nenon is Professor and Dean, College of Arts and Sciences, University of Memphis, USA; President, Center for Advanced Research in Phenomenology, Corp.; Co-editor of Edmund Husserl, Husserliana, Vol. XXV: Aufsätze und Vorträge 1911‑21 (The Hague: Nijhoff, 1987), Edmund Husserl, Husserliana, Vol. XXVII: Aufsätze und Vorträge 1922‑37 (Dordrecht, Kluwer, 1989), H
usserl’s Ideen (Springer, 2012) and Advancing Phenomenology: Essays in Honor of Lester Embree (Springer: 2010).
Bibliographic Information
Book Title: Phenomenology and the Arts: Logos and Aisthesis
Editors: Kwok-Ying Lau, Thomas Nenon
Series Title: Contributions to Phenomenology
DOI: https://doi.org/10.1007/978-3-030-30866-7
Publisher: Springer Cham
eBook Packages: Religion and Philosophy, Philosophy and Religion (R0)
Copyright Information: Springer Nature Switzerland AG 2020
Hardcover ISBN: 978-3-030-30865-0Published: 31 January 2020
Softcover ISBN: 978-3-030-30868-1Published: 26 August 2021
eBook ISBN: 978-3-030-30866-7Published: 30 January 2020
Series ISSN: 0923-9545
Series E-ISSN: 2215-1915
Edition Number: 1
Number of Pages: VIII, 223
Number of Illustrations: 13 b/w illustrations
Topics: Aesthetics, Phenomenology, Continental Philosophy