Phenomenology and the Arts: Logos and Aisthesis
Editors: Lau, Kwok-Ying, Nenon, Thomas (Eds.)
Free Preview- Brings together an international team of East-West top scholars in phenomenological aesthetics
- Covers the great varieties of artistic experience from first hand phenomenological descriptions
- Offers a global perspective on the topic
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- About this book
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This volume examines the great varieties of artistic experience from first hand phenomenological descriptions. It features detailed and concrete analyses which provides readers with in-depth insights into each specific domain of artistic experience. Coverage includes phenomenological elucidation of the aesthetic attitude, the power of imagination, and the logic of sensibility. The essays also detail concrete phenomenological analyses of aesthetic experiences in poetry, painting, photography, drama, architecture, and urban aesthetics.
The book contains essays from "Logos and Aisthesis: Phenomenology and the Arts," an international conference held at the Chinese University of Hong Kong. It brings together a team of top scholars from both the East and the West and offers readers a global perspective on this interesting topic. These innovative, yet accessible, essays, will benefit students and researchers in philosophy, aesthetics, the arts, and the humanities. They will also be of interest to specialists in phenomenology.
- About the authors
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Kwok-ying lau is Professor and Director of MA in Philosophy Program, Department of Philosophy, The Chinese University of Hong Kong (CUHK); Director of Edwin Cheng Foundation Asian Centre for Phenomenology (CUHK); Founding Editor-in-Chief of Journal of Phenomenology and the Human Sciences (in Chinese; author of Phenomenology and Intercultural Understanding. Toward a New Cultural Flesh (Springer: 2016) and Traces of French Phenomenology: from Sartre to Derrida (in Chinese, Taipei: Azoth Books, forthcoming, Fall, 2017).
Thomas Nenon is Professor and Dean, College of Arts and Sciences, University of Memphis, USA; President, Center for Advanced Research in Phenomenology, Corp.; Co-editor of Edmund Husserl, Husserliana, Vol. XXV: Aufsätze und Vorträge 1911‑21 (The Hague: Nijhoff, 1987), Edmund Husserl, Husserliana, Vol. XXVII: Aufsätze und Vorträge 1922‑37 (Dordrecht, Kluwer, 1989), Husserl’s Ideen (Springer, 2012) and Advancing Phenomenology: Essays in Honor of Lester Embree (Springer: 2010). - Reviews
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- Table of contents (14 chapters)
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Introduction: Phenomenological Aesthetics as Logos of the Sensible
Pages 1-8
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Aesthetic Attitude and Phenomenological Attitude: From Zhu Guangqian to Husserl
Pages 11-25
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A Husserlian Account of the Power of the Imaginary
Pages 27-36
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Art and Experience: Reflections on Husserl’s and Heidegger’s Phenomenological Approaches to Art-Works
Pages 37-56
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Aisthesis and Logos – One or Two? Two Kindred Poems by Qianlong Di and Goethe
Pages 59-85
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Table of contents (14 chapters)
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Bibliographic Information
- Bibliographic Information
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- Book Title
- Phenomenology and the Arts: Logos and Aisthesis
- Editors
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- Kwok-Ying Lau
- Thomas Nenon
- Series Title
- Contributions to Phenomenology
- Series Volume
- 109
- Copyright
- 2020
- Publisher
- Springer International Publishing
- Copyright Holder
- Springer Nature Switzerland AG
- eBook ISBN
- 978-3-030-30866-7
- DOI
- 10.1007/978-3-030-30866-7
- Hardcover ISBN
- 978-3-030-30865-0
- Series ISSN
- 0923-9545
- Edition Number
- 1
- Number of Pages
- VIII, 223
- Number of Illustrations
- 13 b/w illustrations
- Topics
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