Manga Cultures and the Female Gaze

1. Front Matter

   Pages i-ix

   PDF

2. Introduction: Interrogating the Text from the Wrong Perspective

   • Kathryn Hemmann

   Pages 1-16

3. Short Skirts, Superpowers, and the Evolution of the Beautiful Fighting Girl

   • Kathryn Hemmann

   Pages 17-46

4. The Maiden and the Witch: CLAMP’s Subversion of Female Character Tropes

   • Kathryn Hemmann

   Pages 47-75

5. Queering the Media Mix: The Female Gaze in Japanese Fancomics

   • Kathryn Hemmann

   Pages 77-101

6. Beautiful War Games: Transfiguring Genders in Video Game Fancomics

   • Kathryn Hemmann

   Pages 103-123

7. Link Is Not Silent: Queer Disability Positivity in Fan Readings of The Legend of Zelda: Breath of the Wild

   • Kathryn Hemmann

   Pages 125-145

8. The Cultural Cross-Pollination of Shōjo Manga

   • Kathryn Hemmann

   Pages 147-169

9. Back Matter

   Pages 171-173

   PDF

The female gaze is used by writers and readers to examine narratives from a perspective that sees women as subjects instead of objects, and the application of a female gaze to male-dominated discourses can open new avenues of interpretation. This book explores how female manga artists have encouraged the female gaze within their work and how female readers have challenged the male gaze pervasive in many forms of popular media. Each of the chapters offers a close reading of influential manga and fancomics to illustrate the female gaze as a mode of resistant reading and creative empowerment. By employing a female gaze, professional and amateur creators are able to shape and interpret texts in a manner that emphasizes the role of female characters while challenging and reconfiguring gendered themes and issues.

• Female Gaze
• Female Fandom
• Global Fandom
• Manga
• Japanese Popular Culture

“Kathryn Hemmann’s insightful book adds a much-needed perspective on our understanding of the field of Manga Studies and its interconnectedness to closely related disciplines and mediums, particularly as Japanese popular culture, despite the relative cooling down of the ‘Cool Japan’ frenzy during the 2010s, continues to inspire and draw audiences to professional and fan-made content.” (Brandon Murakami, ImageTexT, imagetextjournal.com, Vol. 12 (2), 2021)

• East Asian Languages and Civilizations, University of Pennsylvania, Philadelphia, USA

  Kathryn Hemmann

Kathryn Hemmann received a PhD from the University of Pennsylvania and is the author of numerous essays on Japanese fiction, graphic novels, and video games. They also run the blog Contemporary Japanese Literature (japaneselit.net), which features reviews of fiction in translation and posts on gender, society, and popular culture.

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