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Palgrave Macmillan
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Frames and Framing in Documentary Comics

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  • © 2021

Overview

  • Investigates documentary comics in its unique relationship to framing
  • Combines theories of framing analysis and cognitive narratology with comics studies and its attention toward the medium’s visual frames
  • Challenges and expands conventional notions of documentary, engaging in a broader discussion on facts and journalism in the current age of fake news and post-truth politics

Part of the book series: Palgrave Studies in Comics and Graphic Novels (PSCGN)

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Table of contents (6 chapters)

Keywords

About this book

Frames and Framing in Documentary Comics explores how graphic narratives reframe global crises while also interrogating practices of fact-finding. An analog print phenomenon in an era shaped by digitalization, documentary comics formulates a distinct counterapproach to conventional journalism. In what ways are ‘facts’ being presented and framed? What is documentary honesty in a world of fake news and post-truth politics? How can the stories of marginalized peoples and neglected crises be told? The author investigates documentary comics in its unique relationship to framing: graphic narratives are essentially shaped by a reciprocal relationship between the manifest frames on the page and the attention to the cognitive frames that they generate. To account for both the textuality of comics and its strategic use as rhetoric, the author combines theories of framing analysis and cognitive narratology with comics studiesand its attention toward the medium’s visual frames.




Authors and Affiliations

  • English and American Studies, University of Flensburg, Flensburg, Germany

    Johannes C.P. Schmid

About the author

Johannes C. P. Schmid is a postdoctoral researcher in the Department of English and American Studies at Europa-Universität Flensburg, Germany. 

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