Skip to main content

Arts and Cultural Education in a Challenging and Changing World

ENO Yearbook 3

  • Book
  • Sep 2024
  • Latest edition

Overview

  • Gives insights into professional practices that inspire researchers and stakeholders
  • Provides a critical view on European legacies and arts educational traditions
  • Contributes to the discourse and reflection on arts and cultural education in a challenging and changing world

Buy print copy

Keywords

  • Arts and Cultural Education Resilience
  • Arts and Cultural Education De-colonial
  • Arts and Cultural Education Digitalization
  • Arts and Cultural Education Safety
  • Arts and Cultural Education in Europe
  • Arts and Cultural Education Inclusion
  • Arts and Cultural Education Post-colonial
  • Arts and Cultural Education Policy
  • Arts and Cultural Education
  • Arts and Cultural Education Pedagogies
  • Arts and Cultural Education Local Communities
  • Arts and Cultural Education Sustainability
  • Arts and Cultural Education Curriculum
  • Arts and Cultural Education Injustice

About this book

This book is motivated by questions of how arts and cultural education—like all other fields—are affected by and—together with other fields—can contribute to glocal developments, challenges, and shifts. However difficult the times, arts, and culture in educational contexts have the ambition to make a positive contribution and foster creativity, empathy, and inclusion to encourage critical change, innovation, and peace. But if arts and cultural education remains traditional, unchallenged, and exclusive, those ambitions for critical change towards more inclusive practices that dare to act and make a change in the world, run the risk of remaining utopian rhetoric. It is time for a critical self-examination and willingness to change powers and privileges also within arts and cultural education.

Against this background, this book presents brave research on arts and cultural education that offers insight into the conditions, contexts, effects of, and critical changes needed within arts and cultural education. It addresses our time’s great changes, challenges, and possibilities for innovation.

Editors and Affiliations

  • Friedrich-Alexander-Universität Erlangen-Nürnberg, Erlangen, Germany

    Tanja Klepacki

  • Radboud Institute for Culture and History, Radboud University Nijmegen, Nijmegen, The Netherlands

    Edwin van Meerkerk

  • Department of Teacher Education, Norwegian University of Science & Technology, Trondheim, Norway

    Tone Pernille Østern

About the editors

Tanja Klepacki works as a senior researcher (Akademische Oberrätin) at the UNESCO Chair in Arts and Culture in Education at the Friedrich-Alexander-Universität Erlangen-Nürnberg, Germany, where she is also the executive manager of the Chair’s Teacher Training Academy. Her research interests include theoretical and empirical studies in the fields of aesthetic and cultural education, cultural transformation dynamics, cultural sustainability, and cultural resilience. Alongside research and teaching, she is responsible for the management of the editorial office of the international, peer-reviewed, open access “Journal for Research in Cultural, Aesthetic, and Arts Education” (IJRCAAE). Since 2022, she has been a co-opted board member of the “European Network of Observatories in the Field of Arts and Cultural Education (ENO)”.

Edwin van Meerkerk is professor of cultural education at Radboud University. He researches and teaches about arts and cultural education, cultural policy, and higher education for sustainability. He is also an endowed professor at ArtEZ University of the Arts and leadership fellow in the Comenius Programme for Educational Innovation. In his research and teaching, he is driven by curiosity about how people give shape to their ideas about the value of art in practice. He does this, among other things, through his long-term research into the cooperation between art teachers and teachers in primary education within the framework of the national programme Quality Cultural Education. He is also concerned with the differences between policy and practice with regard to cultural entrepreneurship, among other things.

Tone Pernille Østern is professor in arts education with a focus on dance at the Department of Teacher Education at NTNU Norwegian University of Science and Technology. She is also visiting professor in dance education in contemporary contexts at Stockholm University of the Arts. At NTNU, she is currently the ProgramLeader for the Master of Education and Head of the Forum for Equity, Inclusion, and Diversity. She is active as artist/researcher/teacher with a special interest in participatory arts, choreographic processes, inclusive and critical pedagogies, bodily learning, and the performativity of research, learning and teaching. She is Editor-in-Chief for the peer-reviewed journal Dance Articulated. The Arts and Culture Norway commissioned research report Artist - an available profession? A research project about artists with disabilities in Norway (Østern et al., 2023) is a recent publication.

Bibliographic Information

  • Book Title: Arts and Cultural Education in a Challenging and Changing World

  • Book Subtitle: ENO Yearbook 3

  • Editors: Tanja Klepacki, Edwin van Meerkerk, Tone Pernille Østern

  • Series Title: Yearbook of the European Network of Observatories in the Field of Arts and Cultural Education (ENO)

  • Publisher: Springer Singapore

  • eBook Packages: Education, Education (R0)

  • Copyright Information: The Editor(s) (if applicable) and The Author(s), under exclusive license to Springer Nature Singapore Pte Ltd. 2024

  • Hardcover ISBN: 978-981-97-1895-5Due: 15 September 2024

  • Softcover ISBN: 978-981-97-1898-6Due: 15 September 2024

  • eBook ISBN: 978-981-97-1896-2Due: 15 September 2024

  • Series ISSN: 2524-8375

  • Series E-ISSN: 2524-8383

  • Edition Number: 1

Publish with us