Overview
- First overview that systematically deals with institutional critique in New Music
- Linking of theoretical debates with specific case studies
- Involvement of scientists, musicians and curators
- This book is open access, which means that you have free and unlimited access
Part of the book series: Ästhetiken X.0 – Zeitgenössische Konturen ästhetischen Denkens (ÄZKäD)
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Table of contents (16 chapters)
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Front Matter
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Scholars
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Front Matter
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Artists
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Front Matter
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Interviews
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Front Matter
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Keywords
About this book
While institutional critique has long been an important part of artistic practice and theoretical debate in the visual arts, it has long escaped attention in the field of music. This open access volume assembles for the first time an array of theoretical approaches and practical examples dealing with New Music’s institutions, their critique, and their transformations. For scholars, leaders, and practitioners alike, it offers an important overview of current developments as well as theoretical reflections about New Music and its institutions today. In this way, it provides a major contribution to the debate about the present and future of contemporary music.
Editors and Affiliations
About the editors
Bibliographic Information
Book Title: New Music and Institutional Critique
Editors: Christian Grüny, Brandon Farnsworth
Series Title: Ästhetiken X.0 – Zeitgenössische Konturen ästhetischen Denkens
DOI: https://doi.org/10.1007/978-3-662-67131-3
Publisher: J.B. Metzler Berlin, Heidelberg
eBook Packages: J.B. Metzler Humanities (German Language)
Copyright Information: The Editor(s) (if applicable) and The Author(s) 2024
Softcover ISBN: 978-3-662-67130-6Published: 27 October 2023
eBook ISBN: 978-3-662-67131-3Published: 26 October 2023
Series ISSN: 2662-1398
Series E-ISSN: 2662-1401
Edition Number: 1
Number of Pages: XIV, 205
Number of Illustrations: 1 b/w illustrations, 2 illustrations in colour
Topics: Music, Performing Arts, Aesthetics, Philosophy of Music