Overview
- Presents a solution to the paradox of ugliness, namely how an object that is displeasing can retain our attention and be greatly appreciated
- Connects ugliness with Kant’s theory of aesthetic ideas and shows how ugliness can promote certain ideas that cannot otherwise be expressed
- Offers readers and scholars of Kant’s theory of taste a novel understanding of Kant’s aesthetics and the notion of free harmony
Part of the book series: Studies in German Idealism (SIGI, volume 17)
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Table of contents (6 chapters)
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Front Matter
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Back Matter
Keywords
About this book
This book presents a solution to the problem known in philosophical aesthetics as the paradox of ugliness, namely, how an object that is displeasing can retain our attention and be greatly appreciated. It does this by exploring and refining the most sophisticated and thoroughly worked out theoretical framework of philosophical aesthetics, Kant’s theory of taste, which was put forward in part one of the Critique of the Power of Judgment. The book explores the possibility of incorporating ugliness, a negative aesthetic concept, into the overall Kantian aesthetic picture. It addresses a debate of the last two decades over whether Kant's aesthetics should allow for a pure aesthetic judgment of ugliness. The book critically reviews the main interpretations of Kant’s central notion of the free play of imagination and understanding and offers a new interpretation of free play, one that allows for the possibility of a disharmonious state of mind and ugliness.
In addition, the book also applies an interpretation of ugliness in Kant’s aesthetics to resolve certain issues that have been raised in contemporary aesthetics, namely the possibility of appreciating artistic and natural ugliness and the role of disgust in artistic representation.
Offering a theoretical and practical analysis of different kinds of negative aesthetic experiences, this book will help readers acquire a better understanding of his or her own evaluative processes, which may be helpful in coping with complex aesthetic experiences. Readers will gain unique insight into how ugliness can be offensive, yet, at the same time, fascinating, interesting and captivating.
Reviews
“Küplen gives a fine-grained account of the difference between finding something ugly and finding it disgusting, claiming … . There is a lot to learn from Küplen’s account of the logic of disgust and its place in our cognitive and affective economy. Her study … is a significant contribution to the interpretation of Kantian aesthetics, with a refreshing focus on contemporary culture.” (Ian Ground, TLS The Times Literary Supplement, the-tls.co.uk, June, 2016)
Authors and Affiliations
About the author
Bibliographic Information
Book Title: Beauty, Ugliness and the Free Play of Imagination
Book Subtitle: An Approach to Kant's Aesthetics
Authors: Mojca Küplen
Series Title: Studies in German Idealism
DOI: https://doi.org/10.1007/978-3-319-19899-6
Publisher: Springer Cham
eBook Packages: Humanities, Social Sciences and Law, Philosophy and Religion (R0)
Copyright Information: Springer International Publishing Switzerland 2015
Hardcover ISBN: 978-3-319-19898-9Published: 24 July 2015
Softcover ISBN: 978-3-319-36616-6Published: 15 October 2016
eBook ISBN: 978-3-319-19899-6Published: 15 July 2015
Series ISSN: 1571-4764
Series E-ISSN: 2542-9868
Edition Number: 1
Number of Pages: X, 152
Topics: Aesthetics, Classical Studies, Classical Philosophy