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Palgrave Macmillan

Communicating Ice through Popular Art and Aesthetics

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  • © 2024

Overview

  • Investigates and clarifies the ecological and cultural implications of losing ice in the face of climate change
  • Brings together diverse perspectives from research and practice across disciplines and media
  • Clarifies the role of art and popular culture in raising environmental awareness

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Table of contents (15 chapters)

  1. Staging Ice and Ice Stages in Science, Science Communication and Aesthetic Experience

  2. Ice Exploration: Heroism, Art and Imaginaries

  3. Pop Cultural Meanings of Ice in Visual Fiction and Film

Keywords

About this book

This book brings together the perspectives of eminent and emerging scholars from fields as varied as science communication, art history, pop cultural studies, environmental studies, sciences studying ice and artists to explore the power of (popular) arts and aesthetics to communicate ice research and the urgency of environmental action. Examining the aesthetic strategies employed in images, (popular) visual fiction and narratives to convey meaning and awareness – and how they can be made fruitful for science communication – the project will generate new perspectives on how our collective environmental responsibility can be addressed and communicated across disciplines and divers audiences. In doing so, the volume will illuminate the cultural power of ice research and contribute to a better understanding of the cultural work that emerges from our ecological crisis.

Reviews

"In a colonial regime, ice is the aestheticized backdrop to dreams of discovery and conquest—a sublime but dehumanized object of experience. But today’s art, science and popular culture show us that ice is rife with the dilemmas of ecological entanglement. From the Arctic to the Antarctic, ice mediates the affects and effects of climate change, unravelling the orientations of imperial and industrial powers. Animated by this most vibrant of elements, the authors of Communicating Ice tell the stories and stages of ice, showing how its manifold bodies communicate from beyond the schemas of the Western tradition." -Amanda Boetzkes, University of Guelph, Canada

"It matters what stories tell stories, what visions create visions. In order to change a story, we have to know what it is. Only then can we open ourselves to new narratives, new visions. This book manages to do both. It analyses how our imagination of ice is shaped by masculine and colonial fantasies.But it also demonstrates how a novel ‘ice science’ may emerge from removing the traditional boundaries that separate science, art and humanities. With its well-written analyses, new insights and, not least, uplifting visions of new approaches, collaborations and opportunities, this book is a joy to read."
 - Kirsten Thisted, University of Copenhagen, Denmark 

"This original, interdisciplinary volume examines how we engage with melting ice from a variety of perspectives, bringing into dialogue views from ecology, oceanography, geography, geopolitics, science communication, comparative literature, art history, media studies, musicology, popular entertainment studies and more. This book makes a compelling attempt to understand ice not as an object but as an agent with which we must interact differently. The contributions thus convey a fascination with ice that transcends the traditional Arctic sublime and indicates new directions for a multidisciplinary (Ant)Arctic discourse. Ultimately, the highly recommended volume points to the extreme urgency of political action to curb global warming"
- Evi Zemanek, University of Freiburg, Germany

"This collection brilliantly illustrates how storytelling and aesthetic presentation are crucial aids to understanding and communicating about objects of scientific inquiry. Engaging with a subject that is particularly topical—how ice has become a symbol of the fragility of the planetary environment—its chapters are at once fun to read and deeply serious investigations into the interplay between ice research, art and aesthetics. A timely and vital contribution to the environmental humanities, posthumanism and science communication."
- Chris Danta, School of Cybernetics, Australian National University, Australia



Editors and Affiliations

  • University of Freiburg, Freiburg im Breisgau, Germany

    Anne Hemkendreis

  • Australian National University, Canberra, Australia

    Anna-Sophie Jürgens

About the editors

Dr Anne Hemkendreis is a Lecturer at the research collaboration (SFB 948) Heroes – Heroizations - Heroism at the University of Freiburg (Germany). Her current book project examines the aesthetic and affective dimension of ice and snow in paintings, artistic performances and installations. Starting with the peak of the polar conquests around 1900, her project is dedicated to the development of snowscapes as an independent genre of art, the function of ice in contemporary feminist art and its agency in communicating climate change. Prior to this, Anne’s PhD thesis explored the interior paintings of the Danish artist Vilhelm Hammershøi (Fink Verlag, 2015). Anne also worked as a Postdoctoral Fellow and Research Assistant at the Alfried Krupp Wissenschaftskolleg of Greifswald, the Klassik Stiftung of Weimar and the Leuphana University of Lüneburg (all in Germany). She functioned as a Lecturer at different institutions, including the University of Arts in Berlin

Dr Anna-Sophie Jürgens is Lecturer (Assistant Professor) in Science Communication at the Australian National University exploring science in popular entertainment and pop culture. She has published on circus fiction and aesthetics, the history of (violent) clowns, comic mad scientists, clown robots, the cultural meanings of science, and comic performance and technology in culture in numerous academic journals. She was an Alexander-von-Humboldt Fellow at the Australian National University and the Freie Universität Berlin from 2017 to 2020. She is the guest editor of two special themed journal issues on popular performance and science (Journal of Science & Popular Culture, 2020) and violent clowns (Comedy Studies, 2020), co-editor of Manegenkünste: Zirkus als ästhetisches Modell (transcript, 2020) and the sole editor of the volume Circus, Science and Technology: Dramatising Innovation (Palgrave, 2020). Her next co-edited book, Circus and the Avant-Gardes, will appear in 2022.



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