Overview
- Identifies how Malawians have adapted hip hop styles for their local context
- Illustrates how Malawian youth use hip hop music to exercise agency
- Refutes stereotypes about "waithood" among Malawian youth
Part of the book series: Pop Music, Culture and Identity (PMCI)
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Table of contents (9 chapters)
Keywords
About this book
Rap Music and the Youth in Malawi is one of the first book-length studies of Malawian hip hop. It studies the language and content of contemporary Malawian hip hop as a window onto the country's youth culture as Malawian young people negotiate what scholar Alcinda Honwana calls 'waithood,' or the condition, common among Malawian youth, of lacking opportunities to advance from a situation of dependence and being stuck in a state of relative childhood. The book argues that rap music made by Malawian youth music speaks of – and represents, through its very agency – their need to break out of this stagnant state. After situating Malawian hip hop with respect to both other musical genres in the country and to the nation's language in culture, Rap Music and the Youth in Malawi shows how Malawian youth use rap music to create a sense of community, which then becomes a foothold from which they can do activities that get them out of waithood and into the adult world, such as getting involved in the music industry, realizing electoral power, or participating in activism about issues such as violence against people with albinism and the COVID-19 pandemic. Hip hop has been a crucial tool for Malawian youth to build the skills, identity, and agency necessary to exercise their economic, cultural, and civic independence.
Reviews
“Rap Music and Youth in Malawi is a much-needed analysis of the role popular music plays in shaping our understanding of youth aspirations, imaginations, and practices in Malawi. It opens a new world of understanding youth identity through rap.” (Mwenda Ntarangwi, author of East African Hip Hop: Youth Culture and Globalization)
“A sensitive and authoritative account of Malawi’s rap music, showing how it expresses the “waithood” in which many young people find themselves trapped. Lipenga offers a masterly analysis of the linguistic and cultural creativity that enables rap artists to assert agency in often adverse circumstances … original and compelling.” (Kenneth R. Ross, Professor of Theology and Dean of Postgraduate Studies, Zomba Theological University)
“The sudden death of a young Malawi rapper, Martse, exposed the gap between middleMalawi and its youth. Young people filled the Civo Stadium to mourn his passing, leaving significant sections of the elite wondering who the deceased person was. Ken Lipenga Jr, based on experiential and extensive academic research, fills this gap, explaining how social, economic, political, gender disadvantages, and inequalities have led to the development of rap music in Malawi. Lipenga explains some of the linguistic, cultural, marketing, social and political aspects. Rap music may still be a ‘marginal’ protest and entertainment voice that still mostly speaks within its own ‘alternative public sphere,’ but, it is a voice that is growing stronger. This ground-breaking and timely book demands the attention of general and academic reader alike. Its contents will give us an informed insight into the world of Malawi’s youth.” (John Chipembere Lwanda PhD, Honorary Senior Research Fellow, School of Social and Political Science, Glasgow University)“With Rap Music and the Youth in Malawi, Ken Lipenga immerses us into the Malawian hip-hop wavelength, and turns up the volume on a lively scene of artistic creation and debate that has been largely bracketed off the national, continental and global soundscape, thanks to rigid assumptions about what ‘authentic’ Malawian music is. Lipenga invites us to attend to Malawian hip-hop artists’ innovative repurposing of the global genre to produce a distinct sonic vernacular that draws on indigenous verbal arts while remaining in communion with the global hip-hop movement. For the Malawian youth at the centre of this book, rap music and hip-hop cultures serve as a powerful resource for identity-formation, a mode of relation for community building in the face of uncertain futures; and a vehicle for voicing their linguistic, artistic and socio-political preoccupations, whose complexity is often flattened out by competing institutional interests that variously associate youth in Africa with crises. Rap Music and theYouth in Malawi is an eloquent addition to the growing library of work on the specificities of African popular cultural practices; and the multidisciplinary debates they convene.” (Grace A. Musila, Associate Professor, Department of African Literature, University of the Witwatersrand)Authors and Affiliations
About the author
Ken Lipenga, Jr. is an associate professor in Post-colonial literatures at the University of Malawi. He has published on Malawian music, African literature, disability studies and postcolonial literature; disability and folklore; children’s literature, oral literature, and African life writing.
Bibliographic Information
Book Title: Rap Music and the Youth in Malawi
Book Subtitle: Reppin' the Flames
Authors: Ken Lipenga Jr.
Series Title: Pop Music, Culture and Identity
DOI: https://doi.org/10.1007/978-3-031-15251-1
Publisher: Palgrave Macmillan Cham
eBook Packages: Literature, Cultural and Media Studies, Literature, Cultural and Media Studies (R0)
Copyright Information: The Editor(s) (if applicable) and The Author(s), under exclusive license to Springer Nature Switzerland AG 2023
Hardcover ISBN: 978-3-031-15250-4Published: 30 November 2022
Softcover ISBN: 978-3-031-15253-5Published: 30 November 2023
eBook ISBN: 978-3-031-15251-1Published: 29 November 2022
Series ISSN: 2634-6613
Series E-ISSN: 2634-6621
Edition Number: 1
Number of Pages: XI, 192
Topics: Music, African Culture, Youth Culture