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Palgrave Macmillan

The Politics of Speech in Later Twentieth-Century Poetry

Local Tongues in Heaney, Brooks, Harrison, and Clifton

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  • © 2022

Overview

  • Focuses on four major poets and their widely anthologized poems
  • Argues that local speech is an elemental transnational facet of twentieth-century poetry
  • Situates poems in literary tradition, in local contexts, and in prevailing social constructs

Part of the book series: Modern and Contemporary Poetry and Poetics (MPCC)

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Table of contents (6 chapters)

Keywords

About this book

The Politics of Speech in Later Twentieth-Century Poetry: Local Tongues in Heaney, Brooks, Harrison, and Clifton argues that local speech became a central facet of English-language poetry in the second half of the twentieth century. It is based on a key observation about four major poets from both sides of the Atlantic: Seamus Heaney, Gwendolyn Brooks, Tony Harrison, and Lucille Clifton all respond to societal crises by arranging, reproducing, and reconceiving their particular versions of local speech in poetic form. The book’s overarching claim is that “local tongues” in poetry have the capacity to bridge aesthetic and sociopolitical realms because nonstandard local speech declares its distinction from the status quo and binds people who have been subordinated by hierarchical social conditions, while harnessing those versions of speech into poetic structures can actively counter the very hierarchies that would degrade those languages. The diverse local tongues of these fourpoets marshaled into the forms of poetry situate them at once in literary tradition, in local contexts, and in prevailing social constructs.


Reviews

“Fogarty’s book relies on poems to help us explore the political tensions that animate everyday language. … The poems he chooses illuminate acutely political situations in ways that would challenge other kinds of expression. The Politics of Speech makes its case with an enviable dexterity of style and an easy reference to a large corpus of scholarship. There is, in addition, a rare and beautiful humanity that accompanies the scholarly humility, which is not a pose but an earnest trust in poetry” (Walt Hunter, Modern Philology, December 18, 2023) “This is a distinctive, highly original study. It presents a compelling discussion of poetic language and its aesthetic, emotional, and social functions, as enhanced by its reliance on elements of nonstandard local variants of speech. It has the potential to be a significant contribution to current poetics, namely the study of the ethical and social relevance of poetic language, and the debate on register, multilingualism and postcolonial agendas in poetry. By way of an intense and ethically-considered analysis of works by four twentieth-century Anglophone poets it demonstrates how they incorporate diverse demotic, tribal, dialectal, historical, and local forms of their civic and poetic language in order to address ethical, social, and creative issues. The study persuasively argues how this linguistic creative mechanism of reliance on variously defined and often multiple concept of ‘local speech’ is prevalent in contemporary and near-contemporary poetry and has fundamental ethical andontological consequences.” (Daniela Theinová, Senior Lecturer, Charles University, Czech Republic)

Authors and Affiliations

  • University of Central Florida, Orlando, USA

    William Fogarty

About the author

William Fogarty is Assistant Professor of English at the University of Central Florida, USA.


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