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Palgrave Macmillan
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DreamWorks Animation

Intertextuality and Aesthetics in Shrek and Beyond

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  • © 2020

Overview

  • Fills an important gap in animation studies by analysing the work of Dreamworks, a major and yet overlooked studio
  • Contributes to the study of stars, film music, genre, comedy and intertextuality theory by applying their approaches to the unique case studies presented by computer animated features
  • Develops a theoretical framework to conceive of the intertextual pop culture references in Dreamworks films which characterise their approach to humour

Part of the book series: Palgrave Animation (PAANI)

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Table of contents (7 chapters)

Keywords

About this book

DreamWorks is one of the biggest names in modern computer-animation: a studio whose commercial success and impact on the medium rivals that of Pixar, and yet has received far less critical attention.The book will historicise DreamWorks’ contribution to feature animation, while presenting a critical history of the form in the new millennium. It will look beyond the films’ visual aesthetics to assess DreamWorks’ influence on the narrative and tonal qualities which have come to define contemporary animated features, including their use of comedy, genre, music, stars, and intertextuality. It makes original interventions in the fields of film and animation studies by discussing each of these techniques in a uniquely animated context, with case studies from Shrek, Antz, Kung Fu Panda, Madagascar, Shark Tale, Bee Movie, Trolls and many others. It also looks at the unusual online afterlife of these films, and the ways in which they have been reappropriated and remixed by subversive online communities.


Reviews

“Summers offers a fascinating and detailed breakdown of what he sees as a primary characteristic of Dreamworks films, such as comedy, music, celebrity voice actors, or satire/pastiche … using a mix of animation/cultural studies references — Paul Wells, Maureen Furniss, Umberto Eco — along with a litany of examples from assorted Dreamworks films” (Chris Robinson, Artistic Director of the Ottawa International Animation Festival and author of Ballad of a Thin Man: In Search of Ryan Larkin (2008), and Japanese Animation: Time Out of Mind (2010))

Authors and Affiliations

  • University of Sunderland, Sunderland, UK

    Sam Summers

About the author

Sam Summers lectures in animation history and theory at Middlesex University, UK, specialising in computer animation, aesthetics, intertextuality and the Hollywood animation industry. As well as publishing several articles and book chapters on these topics, he is the co-editor of Toy Story: How Pixar Reinvented the Animated Feature (2018).

Bibliographic Information

  • Book Title: DreamWorks Animation

  • Book Subtitle: Intertextuality and Aesthetics in Shrek and Beyond

  • Authors: Sam Summers

  • Series Title: Palgrave Animation

  • DOI: https://doi.org/10.1007/978-3-030-36851-7

  • Publisher: Palgrave Macmillan Cham

  • eBook Packages: Literature, Cultural and Media Studies, Literature, Cultural and Media Studies (R0)

  • Copyright Information: The Editor(s) (if applicable) and The Author(s), under exclusive license to Springer Nature Switzerland AG 2020

  • Hardcover ISBN: 978-3-030-36850-0Published: 01 July 2020

  • Softcover ISBN: 978-3-030-36853-1Published: 01 July 2021

  • eBook ISBN: 978-3-030-36851-7Published: 30 June 2020

  • Series ISSN: 2523-8086

  • Series E-ISSN: 2523-8094

  • Edition Number: 1

  • Number of Pages: IX, 233

  • Number of Illustrations: 1 b/w illustrations, 1 illustrations in colour

  • Topics: Animation, Film/TV Industry

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