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Digital Revolution Tamed

The Case of the Recording Industry

Palgrave Macmillan

Authors:

  • A comprehensive introduction to the mutual shaping of technological and societal change in the recording industry.

  • Offers an up-to-date assessment of the detailed process involved in the technological development of the digital recording industry, featuring a number of topical cases and examples including Napster, Apple, YouTube, and Spotify.

  • Moves beyond traditional views of technological change by looking at multiple loci and their respective roles and contributions to technological development and innovation practices.

  • Draws insights from across Science and Technology Studies, and in particular the Social Shaping of Technology perspectives of Donald MacKenzie and Judy Wajcman.

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Table of contents (8 chapters)

  1. Front Matter

    Pages i-xvii
  2. Introduction

    • Hyojung Sun
    Pages 1-10
  3. Towards a More Sophisticated Account

    • Hyojung Sun
    Pages 11-27
  4. Evolution of Digital Music Services

    • Hyojung Sun
    Pages 97-134
  5. Case Study—Spotify

    • Hyojung Sun
    Pages 135-170
  6. Digital Music Distribution Networks

    • Hyojung Sun
    Pages 171-226
  7. Case Study—INgrooves

    • Hyojung Sun
    Pages 227-256
  8. Back Matter

    Pages 287-328

About this book

This book explores why widespread predictions of the radical transformation in the recording industry did not materialise. Although the growing revenue generated from streaming signals the recovery of the digital music business, it is important to ask to what extent is the current development a response to digital innovation. Hyojung Sun finds the answer in the detailed innovation process that has taken place since Napster. She reassesses the way digital music technologies were encultured in complex music valorisation processes and demonstrates how the industry has become reintermediated rather than disintermediated. 


This book offers a new understanding of digital disruption in the recording industry. It captures the complexity of the innovation processes that brought about technological development, which arose as a result of interaction across the circuit of the recording business – production, distribution, valorisation, and consumption. By offering a more sophisticated account than the prevailing dichotomy, the book exposes deterministic myths surrounding the radical transformation of the industry.

Reviews

“This volume is essential reading for anyone wondering how the current state of music access happened.” (Ed Komara, ARSC, Association for Recorded Sound Collections Journal, Vol. 52 (1), 2021)

“Hyojung Sun’s Digital Revolution Tamed focuses on the most recent developments in the disruption of the recorded music industry, highlighting the mismatch in the impact of the digital era between the initial predictions and what actually happened. The qualitative methodology includes a range of robust supporting official statistics along with case studies to describe the innovations over the past 25 years. A book such as this should be essential reading for those wishing to understand how the entire recorded music industry has been forced to evolve to meet the needs of its customers and stakeholders and, even, it is hoped to become more transparent and fair.” (Dennis Collopy, Senior Research Fellow, University of Hertfordshire, UK)

Authors and Affiliations

  • Creative Industries Institute, Ulster University, Belfast, UK

    Hyojung Sun

About the author

Hyojung Sun is currently working as a research fellow at Ulster University, UK, leading a UK-government sponsored research project entitled Music 2025, which aims to untangle the complex issues involved around the transparency of data in digital music contents. She obtained her PhD in Science, Technology and Innovation Studies from the University of Edinburgh, UK.

Bibliographic Information

  • Book Title: Digital Revolution Tamed

  • Book Subtitle: The Case of the Recording Industry

  • Authors: Hyojung Sun

  • DOI: https://doi.org/10.1007/978-3-319-93022-0

  • Publisher: Palgrave Macmillan Cham

  • eBook Packages: Social Sciences, Social Sciences (R0)

  • Copyright Information: The Editor(s) (if applicable) and The Author(s) 2019

  • Hardcover ISBN: 978-3-319-93021-3Published: 16 August 2018

  • Softcover ISBN: 978-3-030-06571-3Published: 03 January 2019

  • eBook ISBN: 978-3-319-93022-0Published: 03 August 2018

  • Edition Number: 1

  • Number of Pages: XVII, 328

  • Number of Illustrations: 12 b/w illustrations

  • Topics: Science and Technology Studies, Music, IT Law, Media Law, Intellectual Property, Digital/New Media

Buy it now

Buying options

eBook USD 49.99
Price excludes VAT (USA)
  • Available as EPUB and PDF
  • Read on any device
  • Instant download
  • Own it forever
Softcover Book USD 64.99
Price excludes VAT (USA)
  • Compact, lightweight edition
  • Dispatched in 3 to 5 business days
  • Free shipping worldwide - see info
Hardcover Book USD 89.99
Price excludes VAT (USA)
  • Durable hardcover edition
  • Dispatched in 3 to 5 business days
  • Free shipping worldwide - see info

Tax calculation will be finalised at checkout

Other ways to access