Jonathan Burrows

1. Front Matter

   Pages i-xiii

   PDF

2. Dance and/as Poiesis, Poetry, Poetics

   • Daniela Perazzo Domm

   Pages 1-30

3. Resisting from Within: Dance Canons and Their Deterritorialisation

   • Daniela Perazzo Domm

   Pages 31-73

4. Reduction, Repetition, Returns: The Trouble of Minimalism

   • Daniela Perazzo Domm

   Pages 75-117

5. Rhythm as Friendship: Movement, Music and Matteo

   • Daniela Perazzo Domm

   Pages 119-148

6. Duets and (Self-)portraits: Choreographing the Im/personal

   • Daniela Perazzo Domm

   Pages 149-174

7. Choreographies of Plurality: Rethinking Collaboration and Collectivity

   • Daniela Perazzo Domm

   Pages 175-207

8. Towards a Politics of Poetry, Gesture and Laughter

   • Daniela Perazzo Domm

   Pages 209-223

9. Back Matter

   Pages 225-232

   PDF

The first monograph on the work of British choreographer Jonathan Burrows, this book examines his artistic practice and poetics as articulated through his choreographic works, his writings and his contributions to current performance debates. It considers the contexts, principles and modalities of his choreography, from his early pieces in the 1980s to his latest collaborative projects, providing detailed analyses of his dances and reflecting on his unique choreomusical partnership with composer Matteo Fargion.


Known for its emphasis on gesture and humour, and characterised by compositional clarity and rhythmical patterns, Burrows’ artistic work takes the language of choreography to its limits and engages in a paradoxical, and hence transformative, relationship with dance’s historical and normative structures. Exploring the ways in which Burrows and Fargion’s poetics articulates movement, performative presence and the collaborative process in a ‘minor’ register, this study conceptualises the work as a politically compelling practice that destabilises major traditions from a minoritarian position.

• Jonathan Burrows
• Dance
• Choreography
• Critical theory
• Performance philosophy

“While this is a significant contribution to the field of dance and performance studies, it is also an invaluable resource for practitioners, researchers and students interested in dance and performance practice. … This book is a long-awaited careful assessment of one the most influential, prominent and progressive choreographers of contemporary dance today, and a rich and valuable contribution to dance and performance studies scholarship.” (Antje Hildebrandt, Theatre Research International, Vol. 46 (1), 2021)

“Perazzo Domm’s research skillfully familiarizes the reader with the range of ways in which Burrows’s oeuvre plays at the edges of normativestructures. … I find myself drawn to consider the potential of this manuscript to act as exemplar. … this latest contribution to the field of dance studies, is a method of articulation that demonstrates empathy and deep listening with respect to both the artist and the work—a quality often absent in theoretical publications.” (Gemma Collard-Stokes, Dance Chronicle, Vol. 43 (3), 2020)

“Outstanding on two counts, this long awaited in-depth study of one of the most prominent experimental dance artists today illuminates genealogically Jonathan Burrows’ oeuvre, especially its intricate workings of form, poetry and poetics, gesture and community. Perazzo Domm redraws a rich mosaic of concepts from radical continental philosophy – from minor regimes of authorship to affective solidarity – resulting in an eloquent contribution to dance and performance studies.” (Bojana Cvejić, Professor of Dance and Dance Theory, Oslo Academy of Arts KHiO, author of Choreographing Problems (Palgrave, 2015))

“This book presents a thorough and convincing reading of the work of one of Britain’s most influential, progressive choreographers. Drawing on her deep knowledge of Jonathan Burrows’ work, Daniela Perazzo Domm analyses its radicalism by working with recent French philosophy and Italian political theory.” (Ramsay Burt, Professor of Dance History, De Montfort University)

• Department of Performing Arts, Kingston University London, Kingston upon Thames, UK

  Daniela Perazzo Domm

Daniela Perazzo Domm is Senior Lecturer in Dance Studies at Kingston University London, UK, where her specialist areas include dance theory and performance philosophy. 

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