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Palgrave Macmillan

Reading and the First World War

Readers, Texts, Archives

  • Book
  • © 2015

Overview

Part of the book series: New Directions in Book History (NDBH)

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Table of contents (13 chapters)

  1. Introduction

  2. Writers’ Reading and Responses Ford Madox Ford and Edith Wharton

  3. Reading and National Identity: Australian Soldiers’ Reading at the Front

  4. Reading and Group Identity: War Artists and Conscientious Objectors

  5. Reading the News: Newspapers in Belgium, France and Germany

Keywords

About this book

Ranging from soldiers reading newspapers at the front to authors' responses to the war, this book sheds new light on the reading habits and preferences of men and women, combatants and civilians, during the First World War. This is the first study of the conflict from the perspective of readers.

Reviews

“This collection of 13 essays focuses on readership, representing the democratizing shift in literary research that is now a standard approach to the teaching of literary culture. … This book should be used by researchers working on the study of this war, as well as those working on book and publishing history, since the essays discuss little-known archival possibilities that established researchers may not know, and newcomers should certainly be made aware of.” (Kate Macdonald, First World War Studies, July, 2017) 

“As Reading and the First World War demonstrates, a vast number of those involved in World War I–not only soldiers but also civilians–read avidly. … comprises a range of essays addressing topics as varied as the reading practices of war artists behind the line; of conscientious objectors; and of Australian prisoners of war. … the nurses and ambulance drivers who must have read, if only occasionally–ultimately Reading and the First World War contains somethingfor everyone.” (Kabi Hartman, English Literature in Transition, Vol. 60 (1), 2017)

“The history of reading in the First World War is an area of particular significance in this commemorative period. It has benefited from a conjunction of archival and digital projects that makes new accounts and resources available to scholars across the world. … This complex intermingling of experience and imagination animates the collection as a whole, making this not just a gathering of scholarly perspectives, but a testament to the interdependence of all acts of wartime reading, politically and culturally.” (Lucy Collins, SHARP News, sharpweb.org, August, 2016)

“Reading and the First World War participates in the recent digital turn and transnational turn in book history, which are also central to modernist studies. … Reading and the First World War includes some particularly strong essays based on work in neglected archives and collections. It will be of interest not only to book historians (its explicit audience), but also to scholars of modernism.” (Lise Jaillant, Modernism, modernity, Vol. 23 (2), April, 2016)

Editors and Affiliations

  • The Open University, UK

    Shafquat Towheed, Edmund G. C. King

About the editors

Jonathan Arnold, independent scholar, UK Jonathan Black, Kingston University, UK. Jim Cleary, Griffith University, Australia Emmanuel Debruyne, Université catholique de Louvain, France. Catherine Feely, University of Derby, UK. Edmund G.C. King, Open University, UK. Alisa Miller, Norwich University of the Arts, UK. Sara Mori, independent scholar, Italy Robert L. Nelson, University of Windsor, Canada Jane Potter, Oxford Brookes University, UK. Jonathan Rose, Drew University, USA. Max Saunders, King's College London, UK. Shafquat Towheed, Open University, UK.

Bibliographic Information

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