Skip to main content
Palgrave Macmillan
Book cover

Stage Designers in Early Twentieth-Century America

Artists, Activists, Cultural Critics

  • Book
  • © 2012

Overview

Part of the book series: Palgrave Studies in Theatre and Performance History (PSTPH)

This is a preview of subscription content, log in via an institution to check access.

Access this book

eBook USD 39.99
Price excludes VAT (USA)
  • Available as EPUB and PDF
  • Read on any device
  • Instant download
  • Own it forever
Softcover Book USD 59.99
Price excludes VAT (USA)
  • Compact, lightweight edition
  • Dispatched in 3 to 5 business days
  • Free shipping worldwide - see info
Hardcover Book USD 54.99
Price excludes VAT (USA)
  • Durable hardcover edition
  • Dispatched in 3 to 5 business days
  • Free shipping worldwide - see info

Tax calculation will be finalised at checkout

Other ways to access

Licence this eBook for your library

Institutional subscriptions

Table of contents (6 chapters)

Keywords

About this book

By casting designers as authors, cultural critics, activists, entrepreneurs, and global cartographers, Essin tells a story about scenic images on the page, stage, and beyond that helped American audiences see the everyday landscapes and exotic destinations from a modern perspective.

Reviews

"The originality of this lucid study by Essin is how she places that aesthetic movement in a broader cultural context . . . Essin's research is thorough, her writing is engaging, and her insights are rewarding. Summing Up: Recommended. For all academic, general, and professional/practitioner audiences." - CHOICE

"Stage Designers in Early Twentieth Century America offers a bounty of new insights into the lives and artistry of the scenic designers who conceptualized, practiced, and promulgated the New Stagecraft. Christin Essin approaches their innovative work in the best possible way: within broader developments of material culture across the first half of the twentieth century. Discoursing with histories of the labor movement, mass production, consumerism, and imperialism, Essin elucidates the social complexities of this vital development in American theatre history." - James Peck, Department Chair and Associate Professor of Theatre, Muhlenberg College, USA, and editor, Theatre Topics

"Christin Essin offers a new and valuable perspective on evolution of the designer's role in the modern American theatre. Adventurously conceived and meticulously researched, Essin's study draws on a wide range of archival sources to provide a much-needed historicization of the New Stagecraft movement. By emphasizing the dual status of designers as both artists and working professionals, the book prompts fresh consideration of legendary figures such as Robert Edmond Jones and Jo Mielziner while recognizing the contributions of lesser-known artists such as Aline Bernstein and Howard Bay. It should be required reading in any survey of American theatre history."- Henry Bial, Associate Professor of Theatre Studies and American Studies, University of Kansas, USA

About the author

Christin Essin is Assistant Professor of Theatre and Theatre History at Vanderbilt University, USA.

Bibliographic Information

Publish with us