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  • © 1982

A Corpus of Rembrandt Paintings

1625–1631

Authors:

  • This Corpus gives a full overview of the paintings attributed to Rembrandt in the given time frame (1625-1631)
  • All paintings from this time frame are extensively discussed and described by the leading Rembrandt experts.
  • For each painting attributed to Rembrandt in this time frame a thorough analysis is made, using all present day information and technologies, to decide whether the authenticity can be determined.
  • This Corpus thus serves as the authoritative reference work of today for paintings attributed to Rembrandt.
  • Together with the other Volumes in A Corpus of Rembrandt Paintings this Volume covers the full range of Rembrandt’s paintings and paintings attributed to him.
  • This is the official publication of the work done by the Rembrandt Research Project based in Amsterdam, which has covered over thirty years of research.

Part of the book series: Rembrandt Research Project Foundation (RRSE, volume 1)

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Table of contents (98 chapters)

  1. Front Matter

    Pages I-XXVIII
  2. Introduction

    1. Front Matter

      Pages 1-1
    2. The Stylistic Development

      • J. B., E. v. d. W.
      Pages 3-9
    3. Painting materials and working methods

      • E. v. d. W.
      Pages 11-33
    4. Biographical information

      • J. Bruyn, B. Haak, S. H. Levie, P. J. J. Van Thiel, E. Van De Wetering
      Pages 61-61
  3. Catalogue

    1. Front Matter

      Pages 63-63
    2. Paintings by Rembrandt

      1. The stoning of S. Stephen
        • J. Bruyn, B. Haak, S. H. Levie, P. J. J. Van Thiel, E. Van De Wetering
        Pages 67-73
      2. Balaam and the ass
        • J. Bruyn, B. Haak, S. H. Levie, P. J. J. Van Thiel, E. Van De Wetering
        Pages 74-81
      3. Tobit and Anna with the kid
        • J. Bruyn, B. Haak, S. H. Levie, P. J. J. Van Thiel, E. Van De Wetering
        Pages 82-87
      4. Christ driving the moneychangers from the Temple
        • J. Bruyn, B. Haak, S. H. Levie, P. J. J. Van Thiel, E. Van De Wetering
        Pages 88-93
      5. The baptism of the eunuch
        • J. Bruyn, B. Haak, S. H. Levie, P. J. J. Van Thiel, E. Van De Wetering
        Pages 94-103
      6. History painting (Subject unidentified)
        • J. Bruyn, B. Haak, S. H. Levie, P. J. J. Van Thiel, E. Van De Wetering
        Pages 104-113
      7. Musical allegory
        • J. Bruyn, B. Haak, S. H. Levie, P. J. J. Van Thiel, E. Van De Wetering
        Pages 114-123
      8. Bust of a man in a gorget and cap
        • J. Bruyn, B. Haak, S. H. Levie, P. J. J. Van Thiel, E. Van De Wetering
        Pages 124-128
      9. David with the head of Goliath before Saul
        • J. Bruyn, B. Haak, S. H. Levie, P. J. J. Van Thiel, E. Van De Wetering
        Pages 129-136
      10. The rich man from the parable
        • J. Bruyn, B. Haak, S. H. Levie, P. J. J. Van Thiel, E. Van De Wetering
        Pages 137-142
      11. S. Paul in prison
        • J. Bruyn, B. Haak, S. H. Levie, P. J. J. Van Thiel, E. Van De Wetering
        Pages 143-149
      12. Simeon in the Temple
        • J. Bruyn, B. Haak, S. H. Levie, P. J. J. Van Thiel, E. Van De Wetering
        Pages 150-158

About this book

Since the second half of the last century art historians, realizing that the image of Rembrandt’s work had become blurred with time, have attempted to redefine the artist’s significance both as a source of inspiration to other artists and as a great artist in his own right. In order to carry on the work started by previous generations, a group of leading Dutch art historians from the university and museum world joined forces in the late 1960s in order to study afresh the paintings usually ascribed to the artist. The researchers came together in the Rembrandt Research Project which was established to provide the art world with a new standard reference work which would serve the community of art historians for the nearby and long future.

They examined the originals of all works attributed to Rembrandt taking full advantage of today’s sophisticated techniques including radiography, neutron activation autoradiography, dendrochronology and paint sample analysis — thereby gaining valuable insight into the genesis and condition of the paintings.


The result of this meticulous research is laid down chronologically in the following Volumes:

THIS VOLUME: A Corpus of Rembrandt Paintings, Volume I, which deals with works from Rembrandt’s early years in Leiden(1629-1631), published in 1982.

A Corpus of Rembrandt Paintings, Volume II, covering his first years in Amsterdam (1631-1634), published in 1986.

A Corpus of Rembrandt Paintings, Volume III, goes into his later years of reputation (1635-1642), published in 1990.


Each Volume consists of a number of Introductory Chapters as well as the full Catalogue of all paintings from the given time period attributed to Rembrandt. In this catalogue each painting is discussed and examined in a detailed way, comprising a descriptive, an interpretative and a documentary section. For the authenticity evaluation of the paintings threedifferent categories are used to divide the works in:

A. Paintings by Rembrandt,
B. Paintings of which Rembrandt’s authorship cannot be positively either accepted or rejected, and
C. Paintings of which Rembrandt’s authorship cannot be accepted.

This volume (Volume I) contains 730 pages, starting of with four introductory chapters and discussing 93 paintings. In clear and accessible explanatory text all different paintings are discussed, larded with immaculate images of each painting. Details are shown where possible, as well as the results of modern day technical imaging. In this volume the first ever works by Rembrandt are discussed, also using his etchings as comparison.

Bibliographic Information

  • Book Title: A Corpus of Rembrandt Paintings

  • Book Subtitle: 1625–1631

  • Authors: J. Bruyn, B. Haak, S. H. Levie, P. J. J. Thiel, E. Wetering

  • Series Title: Rembrandt Research Project Foundation

  • DOI: https://doi.org/10.1007/978-94-009-7517-0

  • Publisher: Springer Dordrecht

  • eBook Packages: Springer Book Archive

  • Copyright Information: Stichting Foundation Rembrandt Research Project MCMLXXXII, Martinus Nijhoff Publishers 1982

  • Hardcover ISBN: 978-90-247-2614-1Due: 30 November 1982

  • eBook ISBN: 978-94-009-7517-0Published: 06 December 2012

  • Edition Number: 1

  • Number of Pages: 728

  • Additional Information: Originally published in Dutch

  • Topics: Fine Arts

Buy it now

Buying options

eBook USD 789.00
Price excludes VAT (USA)
  • Available as EPUB and PDF
  • Read on any device
  • Instant download
  • Own it forever

Tax calculation will be finalised at checkout

Other ways to access