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  • © 2009

The Rubato Composer Music Software

Component-Based Implementation of a Functorial Concept Architecture

Part of the book series: Computational Music Science (CMS)

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Table of contents (20 chapters)

  1. Front Matter

    Pages 1-17
  2. Concepts and Theory

    1. Front Matter

      Pages 1-1
    2. Overview of Music Theories

      • Gérard Milmeister
      Pages 3-6
    3. The Representation of Music

      • Gérard Milmeister
      Pages 7-18
    4. Architecture of Concepts I: Principles

      • Gérard Milmeister
      Pages 19-29
    5. The Category of Modules

      • Gérard Milmeister
      Pages 31-53
    6. Architecture of Concepts II: Forms and Denotators

      • Gérard Milmeister
      Pages 55-63
    7. Software Components for Computational Theories

      • Gérard Milmeister
      Pages 65-70
    8. Historical Overview

      • Gérard Milmeister
      Pages 71-76
  3. The Implementation

    1. Front Matter

      Pages 77-77
    2. Overview

      • Gérard Milmeister
      Pages 79-80
    3. Architecture

      • Gérard Milmeister
      Pages 81-86
    4. Modules and Morphisms

      • Gérard Milmeister
      Pages 87-103
    5. Forms and Denotators

      • Gérard Milmeister
      Pages 105-125
    6. Tools and Utilities

      • Gérard Milmeister
      Pages 127-133
    7. Rubato Composer GUI

      • Gérard Milmeister
      Pages 135-148
  4. Rubato Composer in Practice

    1. Front Matter

      Pages 149-149
    2. Overview

      • Gérard Milmeister
      Pages 151-151
    3. A Tutorial

      • Gérard Milmeister
      Pages 153-166
    4. First Applications in Rubette Construction

      • Gérard Milmeister
      Pages 167-181

About this book

Both modern mathematical music theory and computer science are strongly influenced by the theory of categories and functors. One outcome of this research is the data format of denotators, which is based on set-valued presheaves over the category of modules and diaffine homomorphisms. The functorial approach of denotators deals with generalized points in the form of arrows and allows the construction of a universal concept architecture. This architecture is ideal for handling all aspects of music, especially for the analysis and composition of highly abstract musical works.

This book presents an introduction to the theory of module categories and the theory of denotators, as well as the design of a software system, called Rubato Composer, which is an implementation of the category-theoretic concept framework. The application is written in portable Java and relies on plug-in components, so-called rubettes, which may be combined in data flow networks for the generation and manipulation of denotators.

The Rubato Composer system is open to arbitrary extension and is freely available under the GPL license. It allows the developer to build specialized rubettes for tasks that are of interest to composers, who in turn combine them to create music. It equally serves music theorists, who use them to extract information from and manipulate musical structures. They may even develop new theories by experimenting with the many parameters that are at their disposal thanks to the increased flexibility of the functorial concept architecture.

Two contributed chapters by Guerino Mazzola and Florian Thalmann illustrate the application of the theory as well as the software in the development of compositional tools and the creation of a musical work with the help of the Rubato framework.

Bibliographic Information

Buy it now

Buying options

eBook USD 84.99
Price excludes VAT (USA)
  • Available as PDF
  • Read on any device
  • Instant download
  • Own it forever
Softcover Book USD 109.99
Price excludes VAT (USA)
  • Compact, lightweight edition
  • Dispatched in 3 to 5 business days
  • Free shipping worldwide - see info
Hardcover Book USD 109.99
Price excludes VAT (USA)
  • Durable hardcover edition
  • Dispatched in 3 to 5 business days
  • Free shipping worldwide - see info

Tax calculation will be finalised at checkout

Other ways to access