Computer Music Modeling and Retrieval. Sense of Sounds

1. Front Matter

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2. Towards the Understanding of Sense of Sounds

   1. I-i Perceptual and Cognitive Aspects of Music

      1. Fifty Years of Computer Music: Ideas of the Past Speak to the Future

         • John Chowning

         Pages 1-10

      2. Music Cognition: Learning, Perception, Expectations

         • Barbara Tillmann

         Pages 11-33

      3. Capturing Expressive and Indicative Qualities of Conducting Gesture: An Application of Temporal Expectancy Models

         • Dilip Swaminathan, Harvey Thornburg, Todd Ingalls, Stjepan Rajko, Jodi James, Ellen Campana et al.

         Pages 34-55

      4. Musicians Outperform Nonmusicians in Speech Imitation

         • Barbara Pastuszek-Lipińska

         Pages 56-73

      5. Cognitive Styles and Computer-Based Creativity Support Systems: Two Linked Studies of Electro-acoustic Music Composers

         • Barry Eaglestone, Nigel Ford, Peter Holdridge, Jenny Carter, Catherine Upton

         Pages 74-97

      6. The Usability of Music Theory Software: The Analysis of Twelve-Tone Music as a Case Study

         • Tuukka Ilomäki

         Pages 98-109

      7. Understanding Emotion in <i>Raag</i>: An Empirical Study of Listener Responses

         • Parag Chordia, Alex Rae

         Pages 110-124

   2. I-ii Relevant Features in Sounds and Music

      1. The Artistic Play of Spatial Organization: Spatial Attributes, Scene Analysis and Auditory Spatial Schemata

         • Gary S. Kendall, Mauricio Ardila

         Pages 125-138

      2. Semiotics of Sounds Evoking Motions: Categorization and Acoustic Features

         • Adrien Merer, Sølvi Ystad, Richard Kronland-Martinet, Mitsuko Aramaki

         Pages 139-158

      3. Exploring Perceptual Based Timbre Feature for Singer Identification

         • Swe Zin Kalayar Khine, Tin Lay Nwe, Haizhou Li

         Pages 159-171

      4. Cognitive Implications of Musical Perception

         • Adam Lockhart

         Pages 172-180

      5. A Meta-analysis of Timbre Perception Using Nonlinear Extensions to CLASCAL

         • John Ashley Burgoyne, Stephen McAdams

         Pages 181-202

      6. Real-Time Analysis of Sensory Dissonance

         • John MacCallum, Aaron Einbond

         Pages 203-211

   3. I-iii Multimodal Perception and Interaction

      1. Multimodal Design for Enactive Toys

         • Amalia de Götzen, Laca Mion, Federico Avanzini, Stefania Serafin

         Pages 212-222

      2. Psychoacoustic Manipulation of the Sound-Induced Illusory Flash

         • Sonia Wilkie, Catherine Stevens, Roger Dean

         Pages 223-234

      3. On Cross-Modal Perception of Musical Tempo and the Speed of Human Movement

         • Kathleya Afanador, Ellen Campana, Todd Ingalls, Dilip Swaminathan, Harvey Thornburg, Jodi James et al.

         Pages 235-245

      4. Between Mapping, Sonification and Composition: Responsive Audio Environments in Live Performance

         • Christopher L. Salter, Marije A. J. Baalman, Daniel Moody-Grigsby

         Pages 246-262

3. Towards the Generation of Sense of Sounds

   1. II-i Rule-Based Music Retrieval and Generation

      1. Retrieving and Recreating Musical Form

         • Ole Kühl, Kristoffer Jensen

         Pages 263-275

      2. Placement of Sound Sources in the Stereo Field Using Measured Room Impulse Responses

         • William D. Haines, Jesse R. Vernon, Roger B. Dannenberg, Peter F. Driessen

         Pages 276-287

This book constitutes the thoroughly refereed post-conference proceedings of the 4th International Computer Music Modeling and Retrieval Symposium, CMMR 2007, held in Copenhagen, Denmark, in August 2007 jointly with the International Computer Music Conference 2007, ICMC 2007. The 33 revised full papers presented were carefully selected during two rounds of reviewing and improvement. Due to the interdisciplinary nature of the area, the papers address a broad variety of topics in computer science and engineering areas such as information retrieval, programming, human computer interaction, digital libraries, hypermedia, artificial intelligence, acoustics, signal processing, etc. CMMR 2007 has put special focus on the Sense of Sounds from the synthesis and retrieval point of view. This theme is pluridisciplinary by nature and associates the fields of sound modeling by analysis, synthesis, perception and cognition.

• Human Computer Interaction
• acoustic signal processing
• algorithmic music
• artificial intelligence
• audio signal processing
• biosignals
• cognition
• composition software
• computer music
• dynamical systems
• feature ext
• intelligence
• modeling
• programming
• recognition

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