Conference proceedings
© 1997

Music, Gestalt, and Computing

Studies in Cognitive and Systematic Musicology

Editors:

Marc Leman

Marc Leman

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Part of the book series: Lecture Notes in Computer Science (LNCS, volume 1317)

Part of the book sub series: Lecture Notes in Artificial Intelligence (LNAI)

Conference series link(s): JIC: Joint International Conference on Cognitive and Systematic Musicology

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Conference proceedings info: JIC 1996.

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About this book
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Table of contents (35 papers)

Front Matter

PDF
Introduction

Pages 1-9
Origin and nature of cognitive and systematic musicology: An introduction
- Marc Leman, Albrecht Schneider
Pages 11-29
Systematic, cognitive and historical approaches in musicology
- Jukka Louhivuori
Pages 30-41
Empiricism, gestalt qualities, and determination of style: Some remarks concerning the relationship of Guido Adler to Richard Wallaschek, Alexius Meinong, Christian von Ehrenfels, and Robert Lach
- Michael Weber
Pages 42-56
Gestalt concepts and music: Limitations and possibilities
- Mark Reybrouck
Pages 57-69
Logic, gestalt theory, and neural computation in research on auditory perceptual organization
- Randolph Eichert, Lüder Schmidt, Uwe Seifert
Pages 70-88
Knowledge in music theory by shapes of musical objects and sound-producing actions
- Rolf Inge Godøy
Pages 89-102
Statistical gestalts — Perceptible features in serial music
- Elena Ungeheuer
Pages 103-113
“Verschmelzung”, tonal fusion, and consonance: Carl Stumpf revisited
- Albrecht Schneider
Pages 115-143
Schema and gestalt: Testing the hypothesis of psychoneural isomorphism by computer simulation
- Marc Leman, Francesco Carreras
Pages 144-168
Self-organizing neural nets and the perceptual origin of the circle of fifths
- Nicola Cufaro Petron, Matteo Tricarico
Pages 169-180
A model of the perceptual root(s) of a chord accounting for voicing and prevailing tonality
- Richard Parncutt
Pages 181-199
‘Good’, ‘rair’, and ‘bad’ chord progressions: A regression-analysis of some psychological chord progression data obtained in an experiment by J. Bharucha and C. Krumhansl
- Daniel Werts
Pages 200-213
Problems of shape and background in sounds with inharmonic spectra
- Jenö Keuler
Pages 214-224
A method of analysing harmony, based on interval patterns or “Gestalten”
- Roland Eberlein
Pages 225-236
Neural network models for the study of post-tonal music
- Eric Isaacson
Pages 237-250
Tempo relations: Is there a psychological basis for proportional tempo theory?
- Marek Franěk, Jiří Mates
Pages 251-262
A framework for the subsymbolic description of meter
- Dirk Moelants
Pages 263-276
Musical rhythm: A formal model for determining local boundaries, accents and metre in a melodic surface
- Emilios Cambouropoulos
Pages 277-293

Other Volumes

Music, Gestalt, and Computing

About this book

This book presents a coherent state-of-the-art survey on the area of systematic and cognitive musicology which has enjoyed dynamic growth now for many years. It is devoted to exploring the relationships between acoustics, human information processing, and culture as well as to methodological issues raised by the widespread use of computers as a powerful tool for theory construction, theory testing, and the manipulation of musical information or any kind of data manipulation related to music.

Keywords

Bibliographic Information

Book Title: Music, Gestalt, and Computing
Book Subtitle: Studies in Cognitive and Systematic Musicology
Editors: Marc Leman
Series Title: Lecture Notes in Computer Science
DOI: https://doi.org/10.1007/BFb0034102
Publisher: Springer Berlin, Heidelberg
eBook Packages: Springer Book Archive
Copyright Information: Springer-Verlag Berlin Heidelberg 1997
Softcover ISBN: 978-3-540-63526-0Published: 10 September 1997
eBook ISBN: 978-3-540-69591-2Published: 11 April 2006
Series ISSN: 0302-9743
Series E-ISSN: 1611-3349
Edition Number: 1
Number of Pages: X, 530
Topics: Artificial Intelligence, Computers and Society, Multimedia Information Systems, Acoustics, Pattern Recognition

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Softcover Book USD 109.99

Price excludes VAT (USA)

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