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Virtual Storytelling. Using Virtual Reality Technologies for Storytelling

Third International Conference, VS 2005, Strasbourg, France, November 30-December 2, 2005, Proceedings

  • Conference proceedings
  • © 2005

Overview

Editors:
  1. Gérard Subsol

    1. Université de Perpignan, LTS, Perpignan Cedex, France

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Part of the book series: Lecture Notes in Computer Science (LNCS, volume 3805)

Part of the book sub series: Information Systems and Applications, incl. Internet/Web, and HCI (LNISA)

Included in the following conference series:

Conference proceedings info: ICVS 2005.

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Table of contents (33 papers)

  1. Front Matter

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  2. Virtual Reality Technologies

    1. Front Matter

      Pages 1-1
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    2. Virtual Reality Technology and Museum Exhibit

      • Michitaka Hirose
      Pages 3-11

    3. A Context-Based Storytelling with a Responsive Multimedia System (RMS)

      • Youngho Lee, Sejin Oh, Woontack Woo
      Pages 12-21

    4. FELIX 3D Display: Human-Machine Interface for Interactive Real Three-Dimensional Imaging

      • Knut Langhans, Klaas Oltmann, Sebastian Reil, Lars Goldberg, Hannes Hatecke
      Pages 22-31

    5. Proposing Daily Visual Feedback as an Aide to Reach Personal Goals

      • Ana C. Andrés del Valle, Agata Opalach
      Pages 32-40

    6. Sound Navigation in PHASE Installation: Producing Music as Performing a Game Using Haptic Feedback

      • Roland Cahen, Xavier Rodet, Jean-Philippe Lambert
      Pages 41-50

  3. Virtual Characters

    1. Front Matter

      Pages 51-51
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    2. Action Planning for Virtual Human Performances

      • Markus Löckelt
      Pages 53-62

    3. An Emotional Architecture for Virtual Characters

      • Ricardo Imbert, Angélica de Antonio
      Pages 63-72

    4. Generating Verbal and Nonverbal Utterances for Virtual Characters

      • Benjamin Kempe, Norbert Pfleger, Markus Löckelt
      Pages 73-76

    5. Scenejo – An Interactive Storytelling Platform

      • Sebastian Weiss, Wolfgang Müller, Ulrike Spierling, Florian Steimle
      Pages 77-80

  4. Drama and Emotion

    1. Front Matter

      Pages 81-81
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    2. Did It Make You Cry? Creating Dramatic Agency in Immersive Environments

      • Janet Murray
      Pages 83-94

    3. Formal Encoding of Drama Ontology

      • Rossana Damiano, Vincenzo Lombardo, Antonio Pizzo
      Pages 95-104

    4. Emotional Spectrum Developed by Virtual Storytelling

      • Nelson Zagalo, Ana Torres, Vasco Branco
      Pages 105-114

    5. The Control of Agents’ Expressivity in Interactive Drama

      • Nicolas Szilas, Maurizio Mancini
      Pages 115-124

    6. Agency and the “Emotion Machine”

      • Josephine Anstey
      Pages 125-128

    7. Environment Expression: Telling Stories Through Cameras, Lights and Music

      • Celso de Melo, Ana Paiva
      Pages 129-132

  5. Interactive Digital Storytelling

    1. Front Matter

      Pages 133-133
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  1. Virtual Storytelling. Using Virtual Reality Technologies for Storytelling

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About this book

The 1st International Conference on Virtual Storytelling took place on September 27–28, 2001, in Avignon (France) in the prestigious Popes’ Palace. Despite the tragic events of September 11 that led to some last-minute cancellations, nearly 100 people from 14 different countries attended the 4 invited lectures given by international experts, the 13 scientific talks and the 6 scientific demonstrations. Virtual Storytelling 2003 was held on November 20–21, 2003, in Toulouse (France) in the Modern and Contemporary Art Museum “Les Abattoirs.” One hundred people from 17 different countries attended the conference composed of 3 invited lectures, 16 scientific talks and 11 posters/demonstrations. Since autumn 2003, there has been strong collaboration between the two major virtual/digital storytelling conference series in Europe: Virtual Storytelling and TIDSE (Technologies for Interactive Digital Storytelling and Entertainment). Thus the conference chairs of TIDSE and Virtual Storytelling decided to establish a 2 year turnover for both conferences and to join the respective organizers in the committees. For the third edition of Virtual Storytelling, the Organization Committee chose to extend the conference to 3 days so that more research work and applications could be be presented, to renew the Scientific and Application Board, to open the conference to new research or artistic communities, and to call for the submission of full papers and no longer only abstracts so as to make a higher-level selection.

Editors and Affiliations

  • Université de Perpignan, LTS, Perpignan Cedex, France

    Gérard Subsol

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