The Palgrave Handbook of Shakespeare's Queens

1. Front Matter

   Pages i-xix

   PDF

2. Introduction

   • Kavita Mudan Finn, Valerie Schutte

   Pages 1-5

3. General Studies

   1. Front Matter

      Pages 7-7

      PDF

   2. Stagecraft and Statecraft: Queenship and Theatricality on the Shakespearean Stage

      • Lori Leigh

      Pages 9-27

   3. Shakespeare’s Queens and Collective Forces: Facing Aristocracy, Dealing with Crowds

      • Ugo Bruschi, Angela Reboli

      Pages 29-51

4. Queenship and Sovereignty

   1. Front Matter

      Pages 53-53

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   2. “I Trust I May Not Trust Thee”: Queens and Royal Women’s Visions of the World in King John

      • Carole Levin

      Pages 55-68

   3. Cordelia, Foreign Queenship, and the Commonweal

      • Sandra Logan

      Pages 69-85

   4. “Tremble at Patience”: Constant Queens and Female Solidarity in The Two Noble Kinsmen and The Winter’s Tale

      • Miranda Fay Thomas

      Pages 87-103

5. Queenship and Motherhood

   1. Front Matter

      Pages 105-105

      PDF

   2. “To Beare the Name of a Quéene”: Eleanor, Duchess of Gloucester and Lady Macbeth: Queenship and Motherhood

      • Sally Fisher

      Pages 107-126

   3. Womb Rhetoric: The Martial Maternity of Volumnia, Tamora, and Elizabeth I

      • Lauren J. Rogener

      Pages 127-144

   4. “Good queen, my lord, good queen”: Royal Mothers in Shakespeare’s Plays

      • Mary Villeponteaux

      Pages 145-160

6. Queenship and Rhetoric

   1. Front Matter

      Pages 161-161

      PDF

   2. Margaret of Anjou and the Rhetoric of Sovereign Vengeance

      • Liberty S. Stanavage

      Pages 163-182

   3. “I Can No Longer Hold Me Patient!”: Margaret, Anger, and Political Voice in Richard III

      • Bella Mirabella

      Pages 183-202

   4. Shakespeare’s Cleopatra as Meta-Theatrical Monarch

      • Shiladitya Sen

      Pages 203-224

7. Absent/Missing Queens

   1. Front Matter

      Pages 225-225

      PDF

   2. “Nothing Hath Begot My Something Grief”: Invisible Queenship in Shakespeare’s Second Tetralogy

      • Kavita Mudan Finn, Lea Luecking Frost

      Pages 227-249

   3. The Queen’s Two Bodies in The Winter’s Tale

      • Maggie Ellen Ray

      Pages 251-269

Of Shakespeare’s thirty-seven plays, fifteen include queens. This collection gives these characters their due as powerful early modern women and agents of change, bringing together new perspectives from scholars of literature, history, theater, and the fine arts. Essays span Shakespeare’s career and cover a range of famous and lesser-known queens, from the furious Margaret of Anjou in the Henry VI plays to the quietly powerful Hermione in The Winter’s Tale; from vengeful Tamora in Titus Andronicus to Lady Macbeth. Early chapters situate readers in the critical concerns underpinning any discussion of Shakespeare and queenship: the ambiguous figure of Elizabeth I, and the knotty issue of gender presentation. The focus then moves to analysis of issues such as motherhood, intertextuality, and contemporary political contexts; close readings of individual plays; and investigations of rhetoric and theatricality. Featuring twenty-five chapters with a rich variety of themesand methodologies, this handbook is an invaluable reference for students and scholars, and a unique addition to the fields of Shakespeare and queenship studies.

Winner of the 2020 Royal Studies Journal book prize

• Shakespeare
• Elizabeth I
• Shakespearean Queens
• Margaret of Anjou
• Anne Boleyn
• Cordelia
• King Lear
• Hermione
• Lady Macbeth
• Tamora
• Henry VI
• English queens
• Mary Stuart
• Catherine de Valois
• early modern performance
• Shakespearean performance
• early modern queens in literature
• intertextuality
• the two-body problem
• early modern European politics

“This is a timely and fascinating collection of essays, bringing together the work of full professors and independent scholars who have built careers in feminist historicist criticism, and their junior colleagues taking prior scholarship in new directions. The medieval notion of the monarch’s two bodies – the body natural and the body politic – comes in for particularly productive exploration, as does the performative act of ‘queening’ undertaken by boy actors on the early modern stage. Many essays challenge and build upon prior criticism to reframe and re-examine Shakespeare’s queens, often in light of their historical-political contexts. The essays are well-grouped; one can easily read standalone essays, groups of essays, or the entire book. It is well suited for both scholars and upper-division/graduate-level courses. Finally, given the focus on women in power in contemporary politics, this collection reminds us anew of the continued relevance of Shakespeare’s plays for our own era, our own issues, our own women who would be ‘queens,’ and rule.” (Regina Buccola, Chair of Humanities and Professor of Literature and Languages, Roosevelt University, USA)

“This collection provides fresh insights into the historical, political, and theatrical contexts of Shakespeare’s representations of royal queens and seeks to investigate new intersections among gender, performance, and power.  The complex nature of sovereignty and its response to societal pressures frequently necessitated a range of nuanced responses from queens.  Queenly influence could remain ambiguous at best but female collaboration could function, paradoxically, to move patriarchal figures into more considerate responses to female influence. The staging of maternity in terms of its impact upon the early modern political state and the manner in which language empowers women with authority also receive attention.  The collection offers an engaging close study of Shakespeare’s queens thathighlights not only the evolving representations of the power and status of queenship but also the ways in which Shakespeare’s dramatic art matured.” (Debra Barrett-Graves, Professor Emerita, California State University, East Bay, USA)

 

 

• Independent Scholar, Manchester, NH, USA

  Kavita Mudan Finn

• Independent Scholar, Beaver Falls, PA, USA

  Valerie Schutte

Kavita Mudan Finn has taught medieval and early modern literature at Georgetown, University of Maryland, George Washington University, and Simmons College, USA. She is the author of The Last Plantagenet Consorts (Palgrave 2012).


Valerie Schutte is the author of Mary I and the Art of Book Dedications: Royal Women, Power, and Persuasion (Palgrave 2015) and has edited several collections on early modern kings and queens. 

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