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The Topos of Music I: Theory

Geometric Logic, Classification, Harmony, Counterpoint, Motives, Rhythm

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  • © 2017

Overview

  • Describes a universal conceptual approach to the computational science of music
  • Comprises detailed models of harmony, rhythm, motives, and counterpoint, together with classic examples from the compositions of Beethoven and Schumann
  • Presents an indispensable basis for computer implementation of musical creativity and analysis of harmonic, motivic, contrapuntal, and rhythmical structures
  • Offers a unique source to learn about classification theorems and lists of local and global musical structures

Part of the book series: Computational Music Science (CMS)

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Table of contents (31 chapters)

  1. Introduction and Orientation

  2. Navigation on Concept Spaces

  3. Local Theory

  4. Global Theory

Keywords

About this book

This is the first volume of the second edition of the now classic book “The Topos of Music”. The author explains the theory's conceptual framework of denotators and forms, the classification of local and global musical objects, the mathematical models of harmony and counterpoint, and topologies for rhythm and motives.

Authors and Affiliations

  • School of Music , University of Minnesota, Minneapolis, USA

    Guerino Mazzola

Bibliographic Information

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