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  • © 2017

Reading the Male Gaze in Literature and Culture

Studies in Erotic Epistemology

Palgrave Macmillan

Authors:

  • Proposes a bold new re-examination of the concept of 'the male gaze'
  • Examines a wide range of written, visual, and aural works from the USA and UK
  • Represents the latest work by by James D. Bloom, an eminent humanities scholar
  • Includes supplementary material: sn.pub/extras

Part of the book series: Global Masculinities (GLMAS)

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Table of contents (6 chapters)

  1. Front Matter

    Pages i-ix
  2. Introduction: The Shelf Life of a Meme

    • James D. Bloom
    Pages 1-9
  3. American Fiction: Gaze Canon

    • James D. Bloom
    Pages 63-118
  4. Scopes on Trial

    • James D. Bloom
    Pages 119-163
  5. American Fiction After Mulvey

    • James D. Bloom
    Pages 165-188
  6. British Invasions Post-Bar Mitzvah

    • James D. Bloom
    Pages 189-202
  7. Back Matter

    Pages 203-225

About this book

This book examines the phenomenon of 'the male gaze', a concept which has spread beyond academia and become a staple of cultural conversations across disciplinary boundaries.


Male gazing has typically been disparaged and even stigmatized as a reflection of misogyny and an instrument of objectification, often justifiably so. But as this book argues and illustrates, male gazing can also be understood as an illuminating, intellectually engaging, aesthetically compelling, and even politically progressive practice. This study recounts how the author’s own coming-of-an-age as a gazer became the basis for his long career teaching and writing about American fiction and poetry and poetry, canonical and contemporary, as well as about film, painting, TV, and rock-and-roll. It includes closely-reasoned analyses of work by James Baldwin, Rembrandt, Willa Cather, Philip Roth, Henry James, Charles Chesnutt, Bob Dylan, Robert Stone,Tim O’Brien, Edith Wharton, Theodore Dreiser, Frank O’Hara, Italo Calvino, John Schlesinger as well such cultural phenomena as the British Invasion of the 1960s, the Judgment of Paris in Greek mythology, the technology of seeing (kaleidoscopes, microscopes, telescopes) and the concept of 'objectification' itself.


Authors and Affiliations

  • Center for the Arts, Muhlenberg College, Allentown, USA

    James D. Bloom

About the author

James D. Bloom is Professor of English at Muhlenberg College, USA. His books include Hollywood Intellect (2009), Gravity Fails (2003) and The Literary Bent (1997). His essays and reviews have appeared in American Literary History, Contemporary Literature, the European Journal of American Culture, the Chronicle of Higher Education, Style, the New York Times Book Review, the Philadelphia Inquirer, and Creem.

Bibliographic Information

Buy it now

Buying options

eBook USD 89.00
Price excludes VAT (USA)
  • Available as EPUB and PDF
  • Read on any device
  • Instant download
  • Own it forever
Softcover Book USD 119.99
Price excludes VAT (USA)
  • Compact, lightweight edition
  • Dispatched in 3 to 5 business days
  • Free shipping worldwide - see info
Hardcover Book USD 119.99
Price excludes VAT (USA)
  • Durable hardcover edition
  • Dispatched in 3 to 5 business days
  • Free shipping worldwide - see info

Tax calculation will be finalised at checkout

Other ways to access