Editors:
- Explains how haptic feedback in digital musical interfaces leads to enhanced performance and expressivity, and improved user experience
- Presents both theoretical and practical aspects of haptic musical interaction and perception
- Defines an original and challenging interdisciplinary framework for the design and evaluation of haptic interfaces
Part of the book series: Springer Series on Touch and Haptic Systems (SSTHS)
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Table of contents (13 chapters)
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Front Matter
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Musical Haptics: Interaction and Perception
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Front Matter
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Haptic Musical Interfaces: Design and Applications
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Front Matter
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Back Matter
About this book
This open access book offers an original interdisciplinary overview of the role of haptic feedback in musical interaction. Divided into two parts, part I examines the tactile aspects of music performance and perception, discussing how they affect user experience and performance in terms of usability, functionality and perceived quality of musical instruments. Part II presents engineering, computational, and design approaches and guidelines that have been applied to render and exploit haptic feedback in digital musical interfaces.
Musical Haptics introduces an emerging field that brings together engineering, human-computer interaction, applied psychology, musical aesthetics, and music performance. The latter, defined as the complex system of sensory-motor interactions between musicians and their instruments, presents a well-defined framework in which to study basic psychophysical, perceptual, and biomechanical aspects of touch, all of which will inform the design of haptic musical interfaces. Tactile and proprioceptive cues enable embodied interaction and inform sophisticated control strategies that allow skilled musicians to achieve high performance and expressivity. The use of haptic feedback in digital musical interfaces is expected to enhance user experience and performance, improve accessibility for disabled persons, and provide an effective means for musical tuition and guidance.Editors and Affiliations
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ICST—Institute for Computer Music and Sound Technology, Zürcher Hochschule der Künste, Zurich, Switzerland
Stefano Papetti
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Audio Communication Group, Technische Universität Berlin, Berlin, Germany
Charalampos Saitis
Bibliographic Information
Book Title: Musical Haptics
Editors: Stefano Papetti, Charalampos Saitis
Series Title: Springer Series on Touch and Haptic Systems
DOI: https://doi.org/10.1007/978-3-319-58316-7
Publisher: Springer Cham
eBook Packages: Computer Science, Computer Science (R0)
Copyright Information: The Editor(s) (if applicable) and The Author(s) 2018
Hardcover ISBN: 978-3-319-58315-0Published: 14 May 2018
Softcover ISBN: 978-3-030-09629-8Published: 14 February 2019
eBook ISBN: 978-3-319-58316-7Published: 02 May 2018
Series ISSN: 2192-2977
Series E-ISSN: 2192-2985
Edition Number: 1
Number of Pages: XV, 285
Number of Illustrations: 49 b/w illustrations, 58 illustrations in colour
Topics: User Interfaces and Human Computer Interaction, Music, Cognitive Psychology