Colonial Literature and the Native Author

1. Front Matter

   Pages i-xii

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2. Introduction: ‘I Adopt the Language of the Poet’

   • Jane Stafford

   Pages 1-23

3. Littleness, Frivolity and Vedic Simplicity: Toru Dutt, Sarojini Naidu and Mr Gosse

   • Jane Stafford

   Pages 25-60

4. ‘Constant Reading after Office Hours’: Sol Plaatje and Literary Belonging

   • Jane Stafford

   Pages 61-105

5. ‘The Genuine Stamp of Truth and Nature’: Voicing The History of Mary Prince

   • Jane Stafford

   Pages 107-146

6. Culture’s Artificial Note: E. Pauline Johnson, Tekahionwake, and her Audiences

   • Jane Stafford

   Pages 147-184

7. ‘Pressed Down by the Great Words of Others’: Wiremu Maihi Te Rangikaheke and Apirana Ngata

   • Jane Stafford

   Pages 185-215

8. Conclusion: Secret Fountains and Authentic Utterance

   • Jane Stafford

   Pages 217-225

9. Back Matter

   Pages 227-254

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This book is the first study of writers who are both Victorian and indigenous, who have been educated in and write in terms of Victorian literary conventions, but whose indigenous affiliation is part of their literary personae and subject matter. What happens when the colonised, indigenous, or ‘native’ subject learns to write in the literary language of empire? If the romanticised subject of colonial literature becomes the author, is a new kind of writing produced, or does the native author conform to the models of the coloniser? 


By investigating the ways that nineteenth-century concerns are adopted, accommodated, rewritten, challenged, re-inscribed, confronted, or assimilated in the work of these authors, this study presents a novel examination of the nature of colonial literary production and indigenous authorship, as well as suggesting to the discipline of colonial and postcolonial studies a perhaps unsettling perspective with which to look at the larger patterns of Victorian cultural and literary formation.

• Victorian literature
• Canada
• New Zealand
• Exoticism
• Caribbean

• School of English, Film, Theatre and Med, Victoria University of Wellington, Wellington, New Zealand

  Jane Stafford

Jane Stafford is Professor in the English Programme of Victoria University of Wellington, New Zealand. She is the co-author of Maoriland: New Zealand Literature, 1872-1914 (2006), the co-editor of The Auckland University Press Anthology of New Zealand Literature (2012), and the co-editor of volume 9 of The Oxford History of the Novel, The World Novel to 1950 (2016).

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