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Sound, Music, and Motion

10th International Symposium, CMMR 2013, Marseille, France, October 15-18, 2013. Revised Selected Papers

  • Conference proceedings
  • © 2014
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Overview

Editors:
  1. Mitsuko Aramaki

    1. CNRS - LMA, Marseille, France

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  2. Olivier Derrien

    1. Toulon-Var University and CNRS - LMA, Marseille, France

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  3. Richard Kronland-Martinet

    1. CNRS - LMA, Marseille, France

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  4. Sølvi Ystad

    1. CNRS - LMA, Marseille, France

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Part of the book series: Lecture Notes in Computer Science (LNCS, volume 8905)

Part of the book sub series: Information Systems and Applications, incl. Internet/Web, and HCI (LNISA)

Included in the following conference series:

Conference proceedings info: CMMR 2013.

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Table of contents (40 papers)

  1. Front Matter

    Pages I-XIV
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  2. Augmented Musical Instruments and Gesture Recognition

    1. Front Matter

      Pages 1-1
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    2. Investigation of the Harpist/Harp Interaction

      • Delphine Chadefaux, Jean-Loïc Le Carrou, Benoît Fabre, Laurent Daudet
      Pages 3-19
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    3. Sonically Augmented Artifacts: Design Methodology Through Participatory Workshops

      • Olivier Houix, Nicolas Misdariis, Patrick Susini, Frédéric Bevilacqua, Florestan Gutierrez
      Pages 20-40
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    4. Vibrotactile Feedback for an Open Air Music Controller

      • Håkon Knutzen, Tellef Kvifte, Marcelo M. Wanderley
      Pages 41-57
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    5. Automatic Classification of Guitar Playing Modes

      • Raphael Foulon, Pierre Roy, François Pachet
      Pages 58-71
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    6. Extracting Commands from Gestures: Gesture Spotting and Recognition for Real-Time Music Performance

      • Jiuqiang Tang, Roger B. Dannenberg
      Pages 72-85
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  3. Music and Emotions: Representation, Recognition, and Audience/Performers Studies

    1. Front Matter

      Pages 87-87
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    2. Making Explicit the Formalism Underlying Evaluation in Music Information Retrieval Research: A Look at the MIREX Automatic Mood Classification Task

      • Bob L. Sturm
      Pages 89-104
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    3. On the Perception of Affect in the Singing Voice: A Study of Acoustic Cues

      • Pauline Mouawad, Myriam Desainte-Catherine, Anne Gégout-Petit, Catherine Semal
      Pages 105-121
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    4. Novel Methods in Facilitating Audience and Performer Interaction Using the Mood Conductor Framework

      • György Fazekas, Mathieu Barthet, Mark B. Sandler
      Pages 122-147
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  4. The Art of Sonification

    1. Front Matter

      Pages 149-149
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    2. Making Data Sing: Embodied Approaches to Sonification

      • Adam Parkinson, Atau Tanaka
      Pages 151-160
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    3. Seismic Sound Lab: Sights, Sounds and Perception of the Earth as an Acoustic Space

      • Benjamin Holtzman, Jason Candler, Matthew Turk, Daniel Peter
      Pages 161-174
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    4. Music with Unconventional Computing: A System for Physarum Polycephalum Sound Synthesis

      • Edward Braund, Eduardo Miranda
      Pages 175-189
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  5. When Auditory Cues Shape Human Sensorimotor Performance

    1. Front Matter

      Pages 191-191
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    2. Intensity Shaping in Sustained Notes Encodes Metrical Cues for Synchronization in Ensemble Performance

      • Bogdan Vera, Elaine Chew
      Pages 193-203
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    3. Moving with Beats and Loops: The Structure of Auditory Events and Sensorimotor Timing

      • Matthew W. M. Rodger, Cathy M. Craig
      Pages 204-217
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    4. Learning Movement Kinematics with a Targeted Sound

      • Eric O. Boyer, Quentin Pyanet, Sylvain Hanneton, Frédéric Bevilacqua
      Pages 218-233
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    5. Audio-Motor Synchronization: The Effect of Mapping Between Kinematics and Acoustic Cues on Geometric Motor Features

      • Etienne Thoret, Mitsuko Aramaki, Christophe Bourdin, Lionel Bringoux, Richard Kronland-Martinet, Sølvi Ystad
      Pages 234-245
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Other volumes

  1. Sound, Music, and Motion

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About this book

This book constitutes the thoroughly refereed post-conference proceedings of the 10th International Symposium on Computer Music Modeling and Retrieval, CMMR 2013, held in Marseille, France, in October 2013. The 38 conference papers presented were carefully reviewed and selected from 94 submissions. The chapters reflect the interdisciplinary nature of this conference with following topics: augmented musical instruments and gesture recognition, music and emotions: representation, recognition, and audience/performers studies, the art of sonification, when auditory cues shape human sensorimotor performance, music and sound data mining, interactive sound synthesis, non-stationarity, dynamics and mathematical modeling, image-sound interaction, auditory perception and cognitive inspiration, and modeling of sound and music computational musicology.

Editors and Affiliations

  • CNRS - LMA, Marseille, France

    Mitsuko Aramaki, Richard Kronland-Martinet, Sølvi Ystad

  • Toulon-Var University and CNRS - LMA, Marseille, France

    Olivier Derrien

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