Sound, Music, and Motion

1. Front Matter

   Pages I-XIV

   PDF

2. Augmented Musical Instruments and Gesture Recognition

   1. Front Matter

      Pages 1-1

      PDF

   2. Investigation of the Harpist/Harp Interaction

      • Delphine Chadefaux, Jean-Loïc Le Carrou, Benoît Fabre, Laurent Daudet

      Pages 3-19

   3. Sonically Augmented Artifacts: Design Methodology Through Participatory Workshops

      • Olivier Houix, Nicolas Misdariis, Patrick Susini, Frédéric Bevilacqua, Florestan Gutierrez

      Pages 20-40

   4. Vibrotactile Feedback for an Open Air Music Controller

      • Håkon Knutzen, Tellef Kvifte, Marcelo M. Wanderley

      Pages 41-57

   5. Automatic Classification of Guitar Playing Modes

      • Raphael Foulon, Pierre Roy, François Pachet

      Pages 58-71

   6. Extracting Commands from Gestures: Gesture Spotting and Recognition for Real-Time Music Performance

      • Jiuqiang Tang, Roger B. Dannenberg

      Pages 72-85

3. Music and Emotions: Representation, Recognition, and Audience/Performers Studies

   1. Front Matter

      Pages 87-87

      PDF

   2. Making Explicit the Formalism Underlying Evaluation in Music Information Retrieval Research: A Look at the MIREX Automatic Mood Classification Task

      • Bob L. Sturm

      Pages 89-104

   3. On the Perception of Affect in the Singing Voice: A Study of Acoustic Cues

      • Pauline Mouawad, Myriam Desainte-Catherine, Anne Gégout-Petit, Catherine Semal

      Pages 105-121

   4. Novel Methods in Facilitating Audience and Performer Interaction Using the Mood Conductor Framework

      • György Fazekas, Mathieu Barthet, Mark B. Sandler

      Pages 122-147

4. The Art of Sonification

   1. Front Matter

      Pages 149-149

      PDF

   2. Making Data Sing: Embodied Approaches to Sonification

      • Adam Parkinson, Atau Tanaka

      Pages 151-160

   3. Seismic Sound Lab: Sights, Sounds and Perception of the Earth as an Acoustic Space

      • Benjamin Holtzman, Jason Candler, Matthew Turk, Daniel Peter

      Pages 161-174

   4. Music with Unconventional Computing: A System for Physarum Polycephalum Sound Synthesis

      • Edward Braund, Eduardo Miranda

      Pages 175-189

5. When Auditory Cues Shape Human Sensorimotor Performance

   1. Front Matter

      Pages 191-191

      PDF

   2. Intensity Shaping in Sustained Notes Encodes Metrical Cues for Synchronization in Ensemble Performance

      • Bogdan Vera, Elaine Chew

      Pages 193-203

   3. Moving with Beats and Loops: The Structure of Auditory Events and Sensorimotor Timing

      • Matthew W. M. Rodger, Cathy M. Craig

      Pages 204-217

   4. Learning Movement Kinematics with a Targeted Sound

      • Eric O. Boyer, Quentin Pyanet, Sylvain Hanneton, Frédéric Bevilacqua

      Pages 218-233

   5. Audio-Motor Synchronization: The Effect of Mapping Between Kinematics and Acoustic Cues on Geometric Motor Features

      • Etienne Thoret, Mitsuko Aramaki, Christophe Bourdin, Lionel Bringoux, Richard Kronland-Martinet, Sølvi Ystad

      Pages 234-245

This book constitutes the thoroughly refereed post-conference proceedings of the 10th International Symposium on Computer Music Modeling and Retrieval, CMMR 2013, held in Marseille, France, in October 2013. The 38 conference papers presented were carefully reviewed and selected from 94 submissions. The chapters reflect the interdisciplinary nature of this conference with following topics: augmented musical instruments and gesture recognition, music and emotions: representation, recognition, and audience/performers studies, the art of sonification, when auditory cues shape human sensorimotor performance, music and sound data mining, interactive sound synthesis, non-stationarity, dynamics and mathematical modeling, image-sound interaction, auditory perception and cognitive inspiration, and modeling of sound and music computational musicology.

• Audio signal processing
• auditory feedback
• auditory perception and cognition
• computational musicology
• digital musical instrument
• human computer interaction
• motion capture
• multimodal interactions
• music information retrieval
• real-time simulation
• sonification
• sound analysis
• sound and image
• sound and motion
• sound and music computing
• sound and rehabilitation
• sound design
• sound recognition
• sound synthesis
• virtual reality

• CNRS - LMA, Marseille, France

  Mitsuko Aramaki, Richard Kronland-Martinet, Sølvi Ystad

• Toulon-Var University and CNRS - LMA, Marseille, France

  Olivier Derrien

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