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Documenting Trauma in Comics

Traumatic Pasts, Embodied Histories, and Graphic Reportage

Palgrave Macmillan
  • Pairs comics criticism with a series of comics themselves, not only as artistic works, but as visual reflections on and engagement with the thematic concerns of the book
  • Emphasizes the connections between the sub-fields of trauma, embodiment and reportage, first consolidating, and then intervening into and opening up topics that are of increasing critical concern in comics scholarship
  • Incorporates a global engagement with comics production, including not only Anglophone and Francophone comics, but some published originally in languages such as German, Russian and Hebrew

Part of the book series: Palgrave Studies in Comics and Graphic Novels (PSCGN)

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Table of contents (19 chapters)

  1. Front Matter

    Pages i-xxi
  2. Introduction: Documenting Trauma in Comics

    • Dominic Davies
    Pages 1-26
  3. Graphic Reportage

    1. Front Matter

      Pages 275-275

About this book

Why are so many contemporary comics and graphic narratives written as memoirs or documentaries of traumatic events? Is there a specific relationship between the comics form and the documentation and reportage of trauma? How do the interpretive demands made on comics readers shape their relationships with traumatic events? And how does comics’ documentation of traumatic pasts operate across national borders and in different cultural, political, and politicised contexts? 

The sixteen chapters and three comics included in Documenting Trauma in Comics set out to answer exactly these questions. Drawing on a range of historically and geographically expansive examples, the contributors bring their different perspectives to bear on the tangled and often fraught intersections between trauma studies, comics studies, and theories of documentary practices and processes. The result is a collection that shows how comics is not simply related to trauma, but a generativeforce that has become central to its remembrance, documentation, and study.



                

Reviews

“Life writing scholars will appreciate Documenting Trauma in Comics for its expansive theorization of multimodal narratives of trauma beyond the generic, discursive, and affective expectations … . Documenting Trauma in Comics … has a great deal to offer to scholars of life writing beyond comics studies. The attention paid by contributors to the generic affordances … raised by trauma art resonates with the concerns of those interested in auto/biography. Such readers would themselves be rewarded by attention to this volume.” (Janine Utell, Biography, Vol. 44 (4), 2021) "Documenting Trauma in Comics: Traumatic Pasts, Embodied Histories, and Graphic Reportage brings together a diverse group of scholars to offer a new perspective on representations of trauma in graphic narratives. Using primary source comics from a broad geographic and historical scope, this collection focuses on creating relationships between texts, demonstrating not only the global interest in trauma narratives but also the myriad representational techniques that comics can employ. As such, the coordinates by which this work is steered are academically rigorous, contemporary, and highly topical."

---Professor Harriet EH Earle, Sheffield Hallam University


“A necessary collection, both for its crucial global scope and for its contribution to how we think about trauma and images.”

--Professor Hillary Chute, Northeastern University

 



Editors and Affiliations

  • Department of English, City, University of London, London, UK

    Dominic Davies

  • Department of English, University of Winnipeg, Winnipeg, Canada

    Candida Rifkind

About the editors

Dominic Davies is a Lecturer in English at City, University of London. He holds a DPhil and British Academy Postdoctoral Fellowship from the University of Oxford. He is the author and editor of several books, articles, and chapters, and his most recent monograph is Urban Comics: Infrastructure & the Global City in Contemporary Graphic Narratives (2019).

 

Candida Rifkind is a Professor in the Department of English, University of Winnipeg, Canada. In addition to over a dozen journal articles and book chapters in comics studies, she co-edited Canadian Graphic: Picturing Life Narratives (2016) and is co-editor of the Wilfrid Laurier UP book series Crossing Lines: Transcultural/Transnational Comics Studies




Contributors
Haya Alfarhan, King's College London, UK
Ana Baeza Ruiz, University of Leeds, UK

Hillary Chute, Northeastern University, USA 
Michael Goodrum, Canterbury Christ Church University, UK

Ian Hague, London College of Communication, UK

Alexandra Lloyd, University of Oxford, UK

Sarah McNicol, Manchester Metropolitan University, UK
Nina Mickwitz London College of Communication, UK

Bruce Mutard, Independent Artist, Australia

Katalin Orbán, Eötvös Loránd University, Hungary

Emma Parker, University of Leeds, UK

Johannes C. P. Schmid, University of Hamburg, Germany

A. P. Payal, University of Delhi, India

Rituparna Sengupta, Indian Institute of Technology, Delhi, India

Nicola Streeten, London College of Communication, UK

Eszter Szép, Eötvös Loránd University, Hungary

E. Dawson Varughese, Snr Fellow, Manipal Centre for Humanities, Manipal Academy of Higher Education (MAHE), Manipal, India




    













Bibliographic Information

Buy it now

Buying options

eBook USD 89.00
Price excludes VAT (USA)
  • Available as EPUB and PDF
  • Read on any device
  • Instant download
  • Own it forever
Softcover Book USD 119.99
Price excludes VAT (USA)
  • Compact, lightweight edition
  • Dispatched in 3 to 5 business days
  • Free shipping worldwide - see info
Hardcover Book USD 119.99
Price excludes VAT (USA)
  • Durable hardcover edition
  • Dispatched in 3 to 5 business days
  • Free shipping worldwide - see info

Tax calculation will be finalised at checkout

Other ways to access