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Palgrave Macmillan

Comparative Print Culture

A Study of Alternative Literary Modernities

  • Book
  • © 2020

Overview

  • Utilizes a thematic comparative approach developing contexts for studies of print and readership that are unprecedented in existing scholarship
  • Offers fresh insights on under-examined global cultures of print, literary modernizations, and the rise of public readership
  • Provides new insights on global circumstances of print challenging conventional conceptions of literary modernity designated within frameworks of nationality and language

Part of the book series: New Directions in Book History (NDBH)

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Table of contents (12 chapters)

Keywords

About this book

Drawing on comparative literary studies, postcolonial book history, and multiple, literary, and alternative modernities, this collection approaches the study of alternative literary modernities from the perspective ofcomparative print culture. The term comparative print culture designates a wide range of scholarly practices that discover, examine, document, and/or historicize various printed materials and their reproduction, circulation, and uses across genres, languages, media, and technologies, all within a comparative orientation. This book explores alternative literary modernities mostly by highlighting the distinct ways in which literary and cultural print modernities outside Europe evince the repurposing of European systems and cultures of print and further deconstruct their perceived universality.  



 


Reviews

 

"A succinct and accomplished contribution to this growing field."

- Emeritus Professor Robert Fraser, The Open University, UK

 

 

“This is a fascinating collection of essays that brings together a number of hitherto under-represented and overlooked aspects of print cultural histories of Asia in a global comparative context. In doing so, the authors create a novel space to chart the development of modernities and trace formations of knowledge, but also creations of entertainment cultures across continents.”

—B. Venkat Mani, University of Wisconsin-Madison

author of Recoding World Literature: Libraries, Print Culture, and Germany’s Pact with Books.

 

 

“If we de-europeanize the historical narrative of the development of print, and of its motive power in generating modern social and political formations, and  further pluralize  that "modernity" to "alternative modernities," what will be the result? Taking this question as a point of departure, the contributors to Comparative Print Culture provide vibrant studies of the role of print in effecting, and reflecting,  individual sensibilities, collective networks, and political movements self-defined as "modern," working with considerable temporal range, a global span, and careful inflection for cultural difference.”
 

Heather Murray, Professor of English at University of Toronto, Canada

Editors and Affiliations

  • Comparative Literature, University of Alberta, Edmonton, Canada

    Rasoul Aliakbari

About the editor

Rasoul Aliakbari (PhD) has taught English Studies, Comparative and World Literature, and Writing and Communication Studies at the University of Alberta, MacEwan University, Northern Alberta Institute of Technology, and NorQuest College, all in Canada.  



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