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Maternal Representations in Twenty-First Century Broadway Musicals

Stage Mothers

  • Book
  • © 2019

Overview

  • Appeals to scholars of American studies, drama, contemporary theatre, and women’s studies
  • Merges popular theatre culture and literary theory as well as engages with music theory, performance studies, and drama theory
  • Examples how musical theatre defines the American imagination

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Table of contents (5 chapters)

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About this book

Maternal Representations in Twenty-First Century Broadway Musicals: Stage Mothers analyzes Broadway productions within the context of their presentation and assessment of motherhood and the variety of roles for mother figures. Using a frame of feminist and psychoanalytical positions, Gina MacKenzie establishes, defines, and interprets mother figures in contemporary Broadway, according to original categorizations of the absent, inconsequential, and overbearing mothers. MacKenzie considers how and why commercial representation of mother figures are limited and predominantly negative, even as fiction, poetry, and other forms of drama offer a much wider and progressive view of the varieties of motherhood possible in society, asserting the need for greater representation of mother figures in commercial musical theatre today.


Reviews

“This is a superb accomplishment. To my knowledge, there’s nothing on the market like it. This wonderfully detailed, rich history of the musical is coupled with Professor MacKenzie’s skillful use of some of the most fashionable critics in academic circles.  And it is with authority that in the final chapter she calls for exploring motherhood ‘in all its potential facets,’ envisioning characters in the musical who are ‘able to transcend the bonds of maternity, while still representing it.’” (Sidney Homan, Professor of English, University of Florida, USA, and author of Comedy Acting for Theatre (2018))

Authors and Affiliations

  • Holy Family University, Philadelphia, USA

    Gina Masucci MacKenzie

About the author

Gina Masucci MacKenze is the Associate Dean, School of Arts and Sciences, and Associate Professor of English at Holy Family University, USA, and author of The Theatre of the Real: Yeats, Beckett and Sondheim (2008). She is an associate editor of The American Book Review, and advisory editor for drama for The Journal of Modern Literature.


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