Overview
Marks the first volume to explore the television show in its entirety, including the final season
Explores Mad Men from a contemporary perspective
Considers new areas of interest, such as intermediality
Examines the cultural importance of the show in the Trump era
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Table of contents (17 chapters)
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Front Matter
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Mad Men’s Status: Television, Reputation, Fandom
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Front Matter
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Gender and Race: The Complex Management of Power
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Front Matter
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Mad Men’s Intermediality: Film, Music, Poetics
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Front Matter
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Endings and Legacies: The Final Season
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Front Matter
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Keywords
About this book
For seven seasons, viewers worldwide watched as ad man Don Draper moved from adultery to self-discovery, secretary Peggy Olson became a take-no-prisoners businesswoman, object-of-the-gaze Joan Holloway developed a feminist consciousness, executive Roger Sterling tripped on LSD, and smarmy Pete Campbell became a surprisingly nice guy. Mad Men defined a pivotal moment for television, earning an enduring place in the medium’s history.
This edited collection examines the enduringly popular television series as Mad Men still captivates audiences and scholars in its nuanced depiction of a complex decade. This is the first book to offer an analysis of Mad Men in its entirety, exploring the cyclical and episodic structure of the long form series and investigating issues of representation, power and social change. The collection establishes the show’s legacy in televisual terms, and brings it up to date through an examination of its cultural importance in the Trump era. Aimed at scholars and interested general readers, the book illustrates the ways in which Mad Men has become a cultural marker for reflecting upon contemporary television and politics.
Reviews
Editors and Affiliations
About the editors
Karen McNally is Senior Lecturer in Film and Television Studies at London Metropolitan University, UK and has published on stardom, gender and race in Hollywood Cinema.
Jane Marcellus is Professor of Media History and Cultural Studies at Middle Tennessee State University, USA and has published on feminism and media history, with a focus on the representation of employed women.
Teresa Forde is Senior Lecturer in Film and Media at the University of Derby, UK and has published on gender, science fiction, soundtracks and memory.
Kirsty Fairclough is Associate Dean: Research and Innovation at the University of Salford, UK and has published on race, gender, popular music and celebrity.
Bibliographic Information
Book Title: The Legacy of Mad Men
Book Subtitle: Cultural History, Intermediality and American Television
Editors: Karen McNally, Jane Marcellus, Teresa Forde, Kirsty Fairclough
DOI: https://doi.org/10.1007/978-3-030-31091-2
Publisher: Palgrave Macmillan Cham
eBook Packages: Literature, Cultural and Media Studies, Literature, Cultural and Media Studies (R0)
Copyright Information: The Editor(s) (if applicable) and The Author(s), under exclusive license to Springer Nature Switzerland AG 2019
Hardcover ISBN: 978-3-030-31090-5Published: 12 December 2019
Softcover ISBN: 978-3-030-31093-6Published: 31 December 2020
eBook ISBN: 978-3-030-31091-2Published: 30 November 2019
Edition Number: 1
Number of Pages: XVII, 280
Number of Illustrations: 1 b/w illustrations
Topics: Screen Studies, Popular Culture