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Justice in the Plays and Films of Martin McDonagh

Authors:

  • provides persuasive and accessible insights into legal and philosophical treatments of the many issues raised by the concept of justice in McDonagh’s work
  • explores the thematic and structural concerns of McDonagh’s creative worlds and their often precarious distinctions between guilt and innocence
  • provides highly original analysis which contributes substantially to existing critical work on McDonagh, expanding and clarifying Jordan’s own earlier critical treatments

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Table of contents (5 chapters)

  1. Front Matter

    Pages i-ix
  2. Introduction: Beware of Justice

    • Eamonn Jordan
    Pages 1-18
  3. The Whole of Nothing

    • Eamonn Jordan
    Pages 119-139
  4. Back Matter

    Pages 141-145

About this book

This book interrogates the various manifestations of rival systems of justice in the plays and films of Martin McDonagh, in analysis informed by the critical writings of Michael J. Sandel, Steven Pinker, Julia Kristeva, and in particular Amartya Sen on violence, justice, equality and the law. In McDonagh’s works, failures to investigate adequately criminal actions are matched by multiple forced confessions and umpteen miscarriages of justice. The author explores McDonagh’s creative worlds as ones where distinctions between victim and perpetrator and guilt and innocence are precarious, where the burden of truth seldom reaches the threshold of beyond reasonable doubt and where the punishments and rewards of justice are applied randomly. This project considers the abject nature of justice in McDonagh’s writing, with the vast implications of justice being fragile, suspect, piecemeal, deviant, haphazard and random. Tentative forms of justice are tempered and then threatened by provocative, anarchic and abject humour. As the author argues, McDonagh’s writing cleverly circulates rival, incompatible and comparative systems of justice in order to substantiate the necessities and virtues of justice.




Authors and Affiliations

  • School of English, Drama and Film, University College Dublin, Dublin, Ireland

    Eamonn Jordan

About the author

Eamonn Jordan is Associate Professor in Drama Studies at the School of English, Drama and Film, University College Dublin, Ireland. His book The Feast of Famine: The Plays of Frank McGuinness (1997) is the first full-length study on McGuinness's work. Some of Jordan’s other publications on Irish theatre include: From Leenane to LA: The Theatre and Cinema of Martin McDonagh (2014); The Palgrave Handbook of Contemporary Irish Theatre (co-edited with Eric Weitz (2018); and The Theatre and Films of Conor McPherson: Conspicuous Communities (2019).

Bibliographic Information

  • Book Title: Justice in the Plays and Films of Martin McDonagh

  • Authors: Eamonn Jordan

  • DOI: https://doi.org/10.1007/978-3-030-30453-9

  • Publisher: Palgrave Pivot Cham

  • eBook Packages: Literature, Cultural and Media Studies, Literature, Cultural and Media Studies (R0)

  • Copyright Information: The Editor(s) (if applicable) and The Author(s), under exclusive license to Springer Nature Switzerland AG 2019

  • Hardcover ISBN: 978-3-030-30452-2Published: 20 November 2019

  • eBook ISBN: 978-3-030-30453-9Published: 11 November 2019

  • Edition Number: 1

  • Number of Pages: IX, 145

  • Number of Illustrations: 1 b/w illustrations

  • Topics: Directing, British and Irish Literature, Genre

Buy it now

Buying options

eBook USD 44.99
Price excludes VAT (USA)
  • Available as EPUB and PDF
  • Read on any device
  • Instant download
  • Own it forever
Hardcover Book USD 59.99
Price excludes VAT (USA)
  • Durable hardcover edition
  • Dispatched in 3 to 5 business days
  • Free shipping worldwide - see info

Tax calculation will be finalised at checkout

Other ways to access