Skip to main content
Palgrave Macmillan

Contagion and the Shakespearean Stage

  • Book
  • © 2019

Overview

  • First book to consider how the discourse and concept of contagion in the period can provide a lens for understanding early modern theatrical performance, dramatic plots, and theatre-going
  • In addition to engaging with the history of disease transmission, this collection considers how the language of contagion shapes dramatic narratives, contemporary understandings of theater-going, the history of emotion, and the perception of natural and preternatural phenomena
  • Provides new readings of plays by Shakespeare, Middleton, Jonson, Webster, and Rowley

This is a preview of subscription content, log in via an institution to check access.

Access this book

eBook USD 109.00
Price excludes VAT (USA)
  • Available as EPUB and PDF
  • Read on any device
  • Instant download
  • Own it forever
Softcover Book USD 139.99
Price excludes VAT (USA)
  • Compact, lightweight edition
  • Dispatched in 3 to 5 business days
  • Free shipping worldwide - see info
Hardcover Book USD 139.99
Price excludes VAT (USA)
  • Durable hardcover edition
  • Dispatched in 3 to 5 business days
  • Free shipping worldwide - see info

Tax calculation will be finalised at checkout

Other ways to access

Licence this eBook for your library

Institutional subscriptions

Table of contents (13 chapters)

Keywords

About this book



This collection of essays considers what constituted contagion in the minds of early moderns in the absence of modern germ theory. In a wide range of essays focused on early modern drama and the culture of theater, contributors explore how ideas of contagion not only inform representations of the senses (such as smell and touch) and emotions (such as disgust, pity, and shame) but also shape how people understood belief, narrative, and political agency. Epidemic thinking was not limited to medical inquiry or the narrow study of a particular disease. Shakespeare, Thomas Middleton, Ben Jonson, Thomas Dekker and other early modern writers understood that someone might be infected or transformed by the presence of others, through various kinds of exchange, or if exposed to certain ideas, practices, or environmental conditions. The discourse and concept of contagion provides a lens for understanding early modern theatrical performance, dramatic plots, and theater-going itself.



Editors and Affiliations

  • University of Southern Queensland, Toowoomba, Australia

    Darryl Chalk

  • University of North Carolina at Chapel Hill, Chapel Hill, USA

    Mary Floyd-Wilson

About the editors

Darryl Chalk is a Senior Lecturer in Theater at the University of Southern Queensland, Australia.

Mary Floyd-Wilson is the Bowman and Gordon Gray Distinguished Term Professor of English and Comparative Literature at The University of North Carolina at Chapel Hill, USA.


Bibliographic Information

Publish with us