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  • © 1995

Music, Sound, and Technology

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Table of contents (16 chapters)

  1. Front Matter

    Pages i-xiv
  2. Psychological Acoustics

    • John M. Eargle
    Pages 36-54
  3. Scales, Temperament, and Tuning

    • John M. Eargle
    Pages 55-66
  4. Musical Sound Generation and Radiation

    • John M. Eargle
    Pages 67-85
  5. Acoustics of String Instruments

    • John M. Eargle
    Pages 86-104
  6. Acoustics of Woodwind Instruments

    • John M. Eargle
    Pages 105-124
  7. Acoustics of Brass Instruments

    • John M. Eargle
    Pages 125-146
  8. Acoustics of Percussion Instruments

    • John M. Eargle
    Pages 147-162
  9. Acoustics of Keyboard Instruments

    • John M. Eargle
    Pages 163-182
  10. Musical Ensembles

    • John M. Eargle
    Pages 183-203
  11. Music and Speech in Performance Environments

    • John M. Eargle
    Pages 204-240
  12. Principles of Speech and Music Reinforcement

    • John M. Eargle
    Pages 241-258
  13. Principles of Sound Recording

    • John M. Eargle
    Pages 259-287
  14. High-Fidelity Sound in the Home

    • John M. Eargle
    Pages 288-316
  15. Overview of Electronic Musical Instruments

    • John M. Eargle
    Pages 317-326
  16. Active Noise Control and Acoustic Modification

    • John M. Eargle
    Pages 327-336
  17. Back Matter

    Pages 337-341

About this book

Since its publication in 1990, the first edition of Music, Sound, and Technology has enjoyed wide success and has become a popular text in musical acoustical studies at the university level. In preparing the new edition we have included recent developments in all aspects of music and sound technology, and we have added data on acoustical characteristics of musical in­ struments. The first edition has been cited for the scope and clarity of its graphics; we have emphasized this to an even greater degree in the second edition. /ME xi Preface to the First Edition This book is about music. the instruments and players who produce it. and the technologies that support it. Although much modern music is produced by electronic means. its underlying basis is still traditional acoustical sound production. and that broad topic provides the basis for this book. There are many fine books available that treat musical acoustics largely from the physical point of view. The approach taken here is to present only the fundamentals of musical phys­ ics. while giving special emphasis to the relation between instrument and player and stressing the characteristics of instruments that are of special concern to engineers and tech­ nicians involved in the fields of recording. sound reinforcement. and broadcasting. In order to understand musical instruments in their normal performance environments.

Bibliographic Information

  • Book Title: Music, Sound, and Technology

  • Authors: John M. Eargle

  • DOI: https://doi.org/10.1007/978-1-4757-5936-5

  • Publisher: Springer New York, NY

  • eBook Packages: Springer Book Archive

  • Copyright Information: Springer Science+Business Media New York 1995

  • Softcover ISBN: 978-1-4757-5938-9Published: 11 April 2013

  • eBook ISBN: 978-1-4757-5936-5Published: 29 June 2013

  • Edition Number: 2

  • Number of Pages: XIV, 341

  • Number of Illustrations: 68 b/w illustrations

  • Topics: Music, Electrical Engineering, Biomedicine general

Buy it now

Buying options

eBook USD 79.99
Price excludes VAT (USA)
  • Available as PDF
  • Read on any device
  • Instant download
  • Own it forever
Softcover Book USD 99.99
Price excludes VAT (USA)
  • Compact, lightweight edition
  • Dispatched in 3 to 5 business days
  • Free shipping worldwide - see info

Tax calculation will be finalised at checkout

Other ways to access