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Bridging People and Sound

12th International Symposium, CMMR 2016, São Paulo, Brazil, July 5–8, 2016, Revised Selected Papers

  • Conference proceedings
  • © 2017

Overview

Editors:
  1. Mitsuko Aramaki

    1. Laboratoire PRISM, CNRS-AMU, Marseille, France

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    You can also search for this editor in PubMed   Google Scholar

  2. Richard Kronland-Martinet

    1. Laboratoire PRISM, CNRS-AMU, Marseille, France

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    You can also search for this editor in PubMed   Google Scholar

  3. Sølvi Ystad

    1. Laboratoire PRISM, CNRS-AMU, Marseille, France

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    You can also search for this editor in PubMed   Google Scholar

Part of the book series: Lecture Notes in Computer Science (LNCS, volume 10525)

Part of the book sub series: Information Systems and Applications, incl. Internet/Web, and HCI (LNISA)

Included in the following conference series:

Conference proceedings info: CMMR 2016.

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Table of contents (22 papers)

  1. Front Matter

    Pages I-XI
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  2. Music Structure Analysis – Music Information Retrieval

    1. Front Matter

      Pages 1-1
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    2. deepGTTM-I&II: Local Boundary and Metrical Structure Analyzer Based on Deep Learning Technique

      • Masatoshi Hamanaka, Keiji Hirata, Satoshi Tojo
      Pages 3-21

    3. Melody and Rhythm Through Network Visualization Techniques

      • Guillaume Blot, Pierre Saurel, Francis Rousseaux
      Pages 22-40

    4. Music Generation with Relation Join

      • Xiuyan Ni, Ligon Liu, Robert Haralick
      Pages 41-64

    5. The Framework of Copista: An OMR System for Historical Music Collection Recovery

      • Marcos Laia, Flávio Schiavoni, Daniel Madeira, Dárlinton Carvalho, João Pedro Moreira, Júlio Resende et al.
      Pages 65-87

  3. Sound, Motion and Gesture

    1. Front Matter

      Pages 89-89
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    2. Recent Findings on Sound and Posture: A Position Paper

      • Lennie Gandemer, Gaëtan Parseihian, Christophe Bourdin, Richard Kronland-Martinet
      Pages 91-108

    3. Eluding the Influence of Postural Constraints on Cellists’ Bowing Movements and Timbral Quality

      • Jocelyn Rozé, Richard Kronland-Martinet, Mitsuko Aramaki, Christophe Bourdin, Sølvi Ystad
      Pages 109-124

    4. Eclipse: A Wearable Instrument for Performance Based Storytelling

      • Ezgi Ucar
      Pages 125-133

  4. Music Composition, Public Spaces and Mobility

    1. Front Matter

      Pages 135-135
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    2. Sound Interaction Design and Creation in the Context of Urban Space

      • Julián Jaramillo Arango
      Pages 137-149

    3. Increasing Pleasantness and Security Using 3D-Sound Design in Public Transport

      • Gaëtan Parseihian, Christophe Bourdin, Vincent Bréjard, Richard Kronland-Martinet
      Pages 150-168

  5. Computer-Supported Interactive Systems for Music Production Performance and Listening

    1. Front Matter

      Pages 169-169
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    2. Using Pure Data for Real-Time Granular Synthesis Control Through Leap Motion

      • Damián Anache
      Pages 171-179

    3. Angkasa: A Software Tool for Spatiotemporal Granulation

      • Muhammad Hafiz Wan Rosli, Andres Cabrera
      Pages 180-191

    4. User Experience in an Interactive Music Virtual Reality System: An Exploratory Study

      • Thomas Deacon, Tony Stockman, Mathieu Barthet
      Pages 192-216

  6. Image/Sound Interaction – Digital Games

    1. Front Matter

      Pages 217-217
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    2. VORPAL: An Extensible and Flexible Middleware for Real-Time Soundtracks in Digital Games

      • Wilson Kazuo Mizutani, Fabio Kon
      Pages 219-228

    3. New Atlantis: Audio Experimentation in a Shared Online World

      • Peter Sinclair, Roland Cahen, Jonathan Tanant, Peter Gena
      Pages 229-246
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  1. Bridging People and Sound

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About this book

This book constitutes the thoroughly refereed post-conference of the 12th International Symposium on Computer Music Modeling and Retrieval, CMMR 2016, held in São Paulo, Brazil, in  July 2016. The 22 full papers presented were carefully reviewed and selected from 40 submissions. 

This year’s conference theme “Bridging People and Sound” aimed at encouraging contributions from artists and listeners on the one side and audio and music technology researchers on the other.

Editors and Affiliations

  • Laboratoire PRISM, CNRS-AMU, Marseille, France

    Mitsuko Aramaki, Richard Kronland-Martinet, Sølvi Ystad

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