Modern Acoustics and Signal Processing

Analysis, Synthesis, and Perception of Musical Sounds

The Sound of Music

Editors: Beauchamp, James (Ed.)

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About this book

Analysis, Synthesis, and Perception of Musical Sounds contains a detailed treatment of basic methods for analysis and synthesis of musical sounds, including the phase vocoder method, the McAulay-Quatieri frequency-tracking method, the constant-Q transform, and methods for pitch tracking with several examples shown. Various aspects of musical sound spectra such as spectral envelope, spectral centroid, spectral flux, and spectral irregularity are defined and discussed. One chapter is devoted to the control and synthesis of spectral envelopes. Two advanced methods of analysis/synthesis are given: "Sines Plus Transients Plus Noise" and "Spectrotemporal Reassignment" are covered. Methods for timbre morphing are given. The last two chapters discuss the perception of musical sounds based on discrimination and multidimensional scaling timbre models.

About the authors

James W. Beauchamp has been working in the area of analysis, synthesis, and perception of musical sounds for over 40 years. He is editor and co-author of Music by Computers (Wiley, 1969), a fellow of the Audio Engineering Society and of the Acoustical Society of America, former president and board member of the International Computer Music Association, and has published numerous papers in the Journal of the Audio Engineering Society, the Journal of the Acoustical Society of America, the Computer Music Journal, Proceedings of the International Computer Music Conference, Proceedings of the International Conference on Music Perception and Cognition, Proceedings of the International Society of Musical Acoustics, and Proceedings of the IEEE Workshop on Applicatiions of Signal Processing to Audio and Acoustics. For over thirty years at the University of Illinois at Urbana-Champaign he taught courses on musical acoustics, electronic music, and computer music (in the School of Music) and audio engineering, electronic music synthesis, and acoustics (in the Department of Electrical and Computer Engineering). During spring, 1988 he was a visiting scholar at the Center for Research in Music and Acoustics at Stanford University, and during 1994-95 he was a visiting researcher at the Institute for Research and Coordination in Acoustics and Music in Paris. His research interests have been in electronic and computer music synthesis systems, analysis, synthesis, and perception of musical instrument sounds, automatic pitch detection, and instrument separation.

Table of contents (8 chapters)

  • Analysis and Synthesis of Musical Instrument Sounds

    BEAUCHAMP, JAMES W.

    Pages 1-89

  • Fundamental Frequency Tracking and Applications to Musical Signal Analysis

    BROWN, JUDITH C.

    Pages 90-121

  • Beyond Traditional Sampling Synthesis: Real-Time Timbre Morphing Using Additive Synthesis

    HAKEN, LIPPOLD (et al.)

    Pages 122-144

  • A Compact and Malleable Sines+Transients+Noise Model for Sound

    LEVINE, SCOTT N. (et al.)

    Pages 145-174

  • Spectral Envelopes and Additive + Residual Analysis/Synthesis

    RODET, XAVIER (et al.)

    Pages 175-227

Buy this book

eBook $109.00
price for USA (gross)
  • ISBN 978-0-387-32576-7
  • Digitally watermarked, DRM-free
  • Included format: PDF
  • ebooks can be used on all reading devices
  • Immediate eBook download after purchase
Hardcover $149.00
price for USA
  • ISBN 978-0-387-32496-8
  • Free shipping for individuals worldwide
  • Usually dispatched within 3 to 5 business days.
Softcover $149.00
price for USA
  • ISBN 978-1-4419-2186-4
  • Free shipping for individuals worldwide
  • Usually dispatched within 3 to 5 business days.
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Bibliographic Information

Bibliographic Information
Book Title
Analysis, Synthesis, and Perception of Musical Sounds
Book Subtitle
The Sound of Music
Editors
  • James Beauchamp
Series Title
Modern Acoustics and Signal Processing
Copyright
2007
Publisher
Springer-Verlag New York
Copyright Holder
Springer-Verlag New York
eBook ISBN
978-0-387-32576-7
DOI
10.1007/978-0-387-32576-7
Hardcover ISBN
978-0-387-32496-8
Softcover ISBN
978-1-4419-2186-4
Series ISSN
2364-4915
Edition Number
1
Number of Pages
XXIV, 328
Number of Illustrations and Tables
153 b/w illustrations
Topics