About this book series

Arts-Based Educational Research continues to garner increased interest and debate among artists, arts writers, researchers, scholars and educators internationally. Further, the methodologies and theoretical articulations associated with Arts-Based Educational Research are increasingly employed across the disciplines of social science, education, humanities, health, media, communications, the creative arts, design, and trans-disciplinary and interdisciplinary research.

This book series offers edited collections and monographs that survey and exemplify Arts-Based Educational Research. The series will take up questions relevant to the diverse range of Arts-Based Educational Research. These questions might include: What can Arts-Based methodologies (such as Arts-Based Research, Arts-Informed Research, a/r/tography, Poetic Inquiry, Performative Inquiry, Arts Practice-Based Research etc.) do as a form of critical qualitative inquiry? How do the Arts (such as literary, visual and performing arts) enable research? What is the purpose of Arts-Based Educational Research? What counts as Arts-Based? What counts as Educational? What counts as Research? How can Arts-Based Educational Research be responsibly performed in communities and institutions, individually or collaboratively? Must Arts-Based Educational Research be public? What ways of knowing and being can be explored with Arts-Based Educational Research? How can Arts-Based Educational Research build upon diverse philosophical, theoretical, historical, political, aesthetic and spiritual approaches to living? What is not Arts-Based Educational Research?

The hinge connecting the arts and research in this Arts-Based Educational Research book series is education. Education is understood in its broadest sense as learning/transformation/change that takes place in diverse formal and informal spaces, places and moments. As such, books in this series might take up questions such as: How do perspectives on education, curriculum and pedagogy (such as critical, participatory, liberatory, intercultural and historical) inform Arts-Based inquiries? How do teachers become artists, and how do artists become teachers? How can one be both? What does this look like, in and beyond school environments?

The book series also addresses critical questions at the intersections across the arts and education. The possible expressions of this intersection is broadly defined with particular interest in works that attend to and otherwise center constructions of Indigeneity, race, gender, gender identity and expression, sexual orientation, nationality, movement and migration, neurodiversity, and the like. The volumes in the series takes on in multiple ways including: pushing at false boundaries between disciplinary silos; theoretical foundations from questions including those regarding might be considered arts and education; and modes of expression and method/ologies that press at current constructions. In keeping with these commitments, the series continues to explicitly broaden the diversity of its editorial board in both identity and focus of research.

Arts-Based Educational Research will be deeply and broadly explored, represented, questioned and developed in this vital and digitally augmented international publication series. The aesthetic reach of this series will be expanded by a digital online repository where all media pertaining to publications will be held. Queries can be sent via email to Mindy Carter editor.aber.springer@gmail.com.

Electronic ISSN
2524-7514
Print ISSN
2524-7506
Series Editor
  • Mindy Carter

Book titles in this series

  1. Arts-Based Pathways into Thinking

    Troubling Standardization/s, Enticing Multiplicities, Inhabiting Creative Imaginings

    Authors:
    • Michael Crowhurst
    • Michael Emslie
    • Copyright: 2020

    Available Renditions

    • Soft cover
    • eBook