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Ingardeniana II

New Studies in the Philosophy of Roman Ingarden With a New International Ingarden Bibliography

  • Book
  • © 1990

Overview

Editors:
  1. Hans H. Rudnick
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Part of the book series: Analecta Husserliana (ANHU, volume 30)

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Table of contents (16 chapters)

  1. Front Matter

    Pages i-xvii
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  2. Tymieniecka and the Philosophy of Roman Ingarden

    1. Front Matter

      Pages 1-1
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    2. Roman Ingarden’s Philosophical Legacy and My Departure from it: The Creative Freedom of the Possible Worlds

      • Anna-Teresa Tymieniecka
      Pages 3-23

    3. A New Phenomenology: A-T. Tymieniecka’s Departure from Husserl and Ingarden

      • Jadwida S. Smith
      Pages 25-36

    4. Husserl, Ingarden and Tymieniecka

      • Knut Hanneborg
      Pages 37-47

  5. Ingarden and the Nature of the Literary Work of Art

    1. Front Matter

      Pages 181-181
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    2. The Verifiability Principle: Variations on Ingarden’s Criticism

      • Jan Woleński
      Pages 183-192

    3. The Aesthetic Object and the Work of Art: Reflections on Ingardens Theory of Aesthetic Judgment

      • Wlodzimierz Galewicz
      Pages 193-210

    4. Roman Ingarden’s Idea of Relatively Isolated Systems

      • Janina Makota
      Pages 211-222
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Keywords

About this book

This Ingardenia volume is the second in the Analecta Husserliana series that is entirely devoted to the phenomenology of Roman Ingarden. The first was volume IV (1976). Twenty years after Ingarden's death, this volume demonstrates that the Polish phenomenologist's contribution to philosophy and literary scholarship has received world-wide attention. His ideas have proven especially fruitful for the definition of the structure of the literary work of art and the subsequent recognition of its characteristic features. Of all the early phenomenologists who were students of Husserl, it is Ingarden whose work has faithfully pursued the original tenet that language "holds" the essence of the life-world "in readiness" (bereit halten). To investigate this premise with the rigor of a science, as Husserl had envisioned for phenomenology, was Ingarden's life work. That Ingarden did not quite reach his ambitious goal does not diminish his unquestionable achievement. The understanding of the nature of the literary work of art has increased enormously because of his analyses and aesthetics. The Polish phenomenologist investigated above all the work of art as a structure of necessary components which define and determine its nature. That the artistic ingredient was shortchanged under those conditions should not be surprising, particu­ larly since Ingarden usually kept a purist's philosophical distance from the concrete detail of the material under consideration. He was not concerned with individual works of art but with the principle that was shared by all of them as the defining feature of their being.

Bibliographic Information

  • Book Title: Ingardeniana II

  • Book Subtitle: New Studies in the Philosophy of Roman Ingarden With a New International Ingarden Bibliography

  • Editors: Hans H. Rudnick

  • Series Title: Analecta Husserliana

  • DOI: https://doi.org/10.1007/978-94-009-1964-8

  • Publisher: Springer Dordrecht

  • eBook Packages: Springer Book Archive

  • Copyright Information: Kluwer Academic Publishers 1990

  • Hardcover ISBN: 978-0-7923-0627-6Published: 31 August 1990

  • Softcover ISBN: 978-94-010-7378-3Published: 27 September 2011

  • eBook ISBN: 978-94-009-1964-8Published: 06 December 2012

  • Series ISSN: 0167-7276

  • Series E-ISSN: 2542-8330

  • Edition Number: 1

  • Number of Pages: XVIII, 302

  • Topics: Phenomenology, Aesthetics, Comparative Literature, Ontology

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