Overview
- Offers an in-depth look at robotic art from the viewpoints of artists, engineers, and scientists
- Addresses questions about the benefits, risks, ethical issues, and changes to society that are the consequence of robots interacting with human beings
- Written by experts in the field
- Includes supplementary material: sn.pub/extras
Part of the book series: Cognitive Science and Technology (CSAT)
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Table of contents (21 chapters)
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Front Matter
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Prologue
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Front Matter
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Explorations
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Front Matter
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Embodiment
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Front Matter
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Keywords
About this book
The first compendium on robotic art of its kind, this book explores the integration of robots into human society and our attitudes, fears and hopes in a world shared with autonomous machines. It raises questions about the benefits, risks and ethics of the transformative changes to society that are the consequence of robots taking on new roles alongside humans. It takes the reader on a journey into the world of the strange, the beautiful, the uncanny and the daring – and into the minds and works of some of the world’s most prolific creators of robotic art.
Offering an in-depth look at robotic art from the viewpoints of artists, engineers and scientists, it presents outstanding works of contemporary robotic art and brings together for the first time some of the most influential artists in this area in the last three decades. Starting from a historical review, this transdisciplinary work explores the nexus between robotic research and the arts and examines the diversity of robotic art, the encounter with robotic otherness, machine embodiment and human–robot interaction. Stories of difficulties, pitfalls and successes are recalled, characterising the multifaceted collaborations across the diverse disciplines required to create robotic art.
Although the book is primarily targeted towards researchers, artists and students in robotics, computer science and the arts, its accessible style appeals to anyone intrigued by robots and the arts.Reviews
Editors and Affiliations
About the editors
Dr. Christian Kroos received his M.A. and Ph.D. in Phonetics and Theatre Studies from the Ludwigs-Maximilians-Universität, München, Germany. His work on speech articulator movements and face motion during spoken language led to interdisciplinary research covering computer vision, cognitive sciences and robotics conducted internationally at the Institute of Phonetics and Speech Processing at Ludwigs-Maximilians-Universität (Germany), at ATR International (Japan) and at Haskins Laboratories (USA). At MARCS Institute, University of Western Sydney, Australia, he explored non-verbal human-machine interaction in the Thinking Head project. Besides his interest in robotic agents, he is still fascinated by human speech production and the evolution of language.
Stelarc explores alternate anatomical architectures. He is an artist whose projects incorporate prosthetics, robotics, biotechnology, medical imaging and the internet. He has performed with a Third Hand, a Stomach Sculpture, Exoskeleton and a Prosthetic Head. Fractal Flesh, Ping Body and Parasite are internet performances that explore remote and involuntary choreography. He is surgically constructing and stem-cell growing an ear on his arm that will be internet enabled. In 1996 he was made an Honorary Professor of Art and Robotics at Carnegie Mellon University, Pittsburgh and in 2002 was awarded an Honorary Doctorate of Laws by Monash University, Melbourne. In 2010 was awarded the Ars Electronica Hybrid Arts Prize. In 2014 he initiated the Alternate Anatomies Lab. In 2015 he received the Australia Council’s Emerging and Experimental Arts Award. Stelarc is currently a Distinguished Research Fellow, School of Design and Art (SODA) at Curtin University. His artwork is represented by the Scott Livesey Galleries, Melbourne.
"The book includes contributions from Guy Ben-Ary and Gemma Ben-Ary, Louis-Philippe Demers, Stefan Doepner and Urška Jurman, Damith Herath, Elizabeth Jochum and Ken Goldberg, Christian Kroos, Jean-Paul Laumond, Chico MacMurtrie, Leonel Moura, Kohei Ogawa and Hiroshi Ishiguro, Simon Penny, Nicolas Reeves and David St-Onge, Ken Rinaldo, Eleanor Sandry, Stelarc, Elizabeth Stephens & Tara Heffernan, Mari Velonaki & David Rye, Bill Vorn, Norman T. White, Amy M. Youngs"
Bibliographic Information
Book Title: Robots and Art
Book Subtitle: Exploring an Unlikely Symbiosis
Editors: Damith Herath, Christian Kroos, Stelarc
Series Title: Cognitive Science and Technology
DOI: https://doi.org/10.1007/978-981-10-0321-9
Publisher: Springer Singapore
eBook Packages: Engineering, Engineering (R0)
Copyright Information: Springer Science+Business Media Singapore 2016
Hardcover ISBN: 978-981-10-0319-6Published: 13 May 2016
Softcover ISBN: 978-981-10-9132-2Published: 13 June 2018
eBook ISBN: 978-981-10-0321-9Published: 04 May 2016
Series ISSN: 2195-3988
Series E-ISSN: 2195-3996
Edition Number: 1
Number of Pages: XIX, 456
Number of Illustrations: 18 b/w illustrations, 200 illustrations in colour
Topics: Computational Intelligence, Fine Arts, Control, Robotics, Mechatronics, Computer Imaging, Vision, Pattern Recognition and Graphics, Artificial Intelligence, Computer Appl. in Arts and Humanities