Skip to main content
Palgrave Macmillan

Representing Realists in Victorian Literature and Criticism

  • Book
  • © 2016

Overview

  • Shows that realism is more dependent on visual representation than previously recognised
  • Looks at a wide variety of writers, from Ruskin to Braddon
  • Looks at visual as well as textual culture

This is a preview of subscription content, log in via an institution to check access.

Access this book

eBook USD 79.99
Price excludes VAT (USA)
  • Available as EPUB and PDF
  • Read on any device
  • Instant download
  • Own it forever
Softcover Book USD 99.99
Price excludes VAT (USA)
  • Compact, lightweight edition
  • Dispatched in 3 to 5 business days
  • Free shipping worldwide - see info
Hardcover Book USD 99.99
Price excludes VAT (USA)
  • Durable hardcover edition
  • Dispatched in 3 to 5 business days
  • Free shipping worldwide - see info

Tax calculation will be finalised at checkout

Other ways to access

Licence this eBook for your library

Institutional subscriptions

Table of contents (7 chapters)

Keywords

About this book

This book is about the historical moment when writers and critics first used the term “realism” to describe representation in literature and painting. While scholarship on realism tends to proceed from an assumption that the term has a long-established meaning and history, this book reveals that mid-nineteenth-century critics and writers first used the term reluctantly, with much confusion over what it might actually mean. It did not acquire the ready meaning we now take for granted until the end of the nineteenth century. In fact, its first definitions came primarily by way of example and analogy, through descriptions of current practitioners, or through fictionalized representations of artists. By investigating original debates over the term “realism,” this book shows how writers simultaneously engaged with broader concerns about the changing meanings of what was real and who had the authority to decide this. 

Reviews

Representing Realists in Victorian Literature and Criticism is a valuable contribution to scholarship on the emergence of realism as a coherent method and genre—both in Victorian literature and visual art.  By attending to the ways in which realism was the subject of debate throughout the nineteenth-century, Representing Realists asks us to rethink the way “realism” was deployed as a tool for negotiating between genres and classes, for framing national and colonial identities, and for theorizing the relationship between art and the social. Simply put, Representing Realists is essential reading for scholars and students alike.” (Daniel A. Novak, The University of Mississippi, Oxford, USA)

Authors and Affiliations

  • Oakland Community College, Farmington, USA

    Daniel Brown

About the author

Daniel Brown earned his Ph.D. in English, with a specialization in British Victorian literature, from the University of Florida, USA in 2012. His research interests include realism and the relationships between verbal and visual representation. He has published articles on Elizabeth Barrett Browning, sensation fiction, and Paul Gauguin.

Bibliographic Information

Publish with us