Skip to main content

The Visible, the Sublime and the Sensus Communis

Kant’s Theory of Perception

  • Book
  • © 2020

Overview

  • Offers a unique perspective on the role that aesthetics plays within Kant's critical philosophy and demonstrates how the affective dimension marks his entire project
  • Provides a broad context within which to understand Kant’s undertaking
  • Situates Kant’s aesthetics within the context of the visual arts, as a theory of mimesis

Part of the book series: SpringerBriefs in Philosophy (BRIEFSPHILOSOPH)

  • 681 Accesses

This is a preview of subscription content, log in via an institution to check access.

Access this book

eBook USD 39.99
Price excludes VAT (USA)
  • Available as EPUB and PDF
  • Read on any device
  • Instant download
  • Own it forever
Softcover Book USD 54.99
Price excludes VAT (USA)
  • Compact, lightweight edition
  • Dispatched in 3 to 5 business days
  • Free shipping worldwide - see info

Tax calculation will be finalised at checkout

Other ways to access

Licence this eBook for your library

Institutional subscriptions

Table of contents (4 chapters)

Keywords

About this book

This book argues that Kant develops a theory of perception in the Critique of Judgment from which one can redefine his entire project, viewing and using aesthetics as its backbone, from the transcendental aesthetic of the First Critique to the Critique of Taste in the Third.  The author shows us how Kant exonerates the role of faculties that account for such judgments linked by inner senses, inclusive of sensus communis.  By re-examining the role of the aesthetic within Kant's critical philosophy, the compelling force of the aesthetic turn is revealed in modern philosophy. The text includes Heidegger’s, Hegel’s and Diderot's complex relationship to Kant in this context.

This text provides important scholarship for those interested in the Kantian influence on German Idealism, the aesthetic turn in the continental tradition, especially the Frankfurt school, and more generally, those interested in the encounter between philosophy and art in this historical context.


Authors and Affiliations

  • Department of Arts and Sciences, Ilia State University, Tbilisi, Georgia

    Tamar Japaridze

About the author



Tamar Japaridze holds a B.A., an M.A., and a Ph.D. in Philosophy from the University of Toronto.  Currently, she is a Professor at the Ilia State University’s Faculty of the Arts and Sciences in Georgia. Her research interests are in the areas of the European History of Ideas, the Enlightenment, Ethics, and Aesthetics.

Bibliographic Information

  • Book Title: The Visible, the Sublime and the Sensus Communis

  • Book Subtitle: Kant’s Theory of Perception

  • Authors: Tamar Japaridze

  • Series Title: SpringerBriefs in Philosophy

  • DOI: https://doi.org/10.1007/978-3-030-51420-4

  • Publisher: Springer Cham

  • eBook Packages: Religion and Philosophy, Philosophy and Religion (R0)

  • Copyright Information: The Editor(s) (if applicable) and The Author(s), under exclusive license to Springer Nature Switzerland AG 2020

  • Softcover ISBN: 978-3-030-51419-8Published: 31 July 2020

  • eBook ISBN: 978-3-030-51420-4Published: 30 July 2020

  • Series ISSN: 2211-4548

  • Series E-ISSN: 2211-4556

  • Edition Number: 1

  • Number of Pages: XXVII, 68

  • Number of Illustrations: 1 b/w illustrations

  • Topics: Aesthetics, Arts, Metaphysics, Continental Philosophy, Critical Theory

Publish with us